A Quote by Judd Gregg
You can't make a representation and then claim you didn't make it. You know, it just shouldn't work that way.
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You want accuracy, but not representation. If you know how to make the figuration, it doesn't work. Anything you can make, you make by accident. In painting, you have to know what you do, not how, when you do it.
He would find a way to make it work, because he finally understood that sometimes you have to raise your expectations. And sometimes you need to make a claim on the world and the people you love to get what you most desire
If you're writing a book where you want to make a positive truth claim, then you should absolutely call it nonfiction or memoir. If you don't want to make that claim - if that's not what's important to you; if you're more interested in storytelling and interiority and interpersonal relationships than in objective, checkable facts about the world - then why wouldn't you call it a novel, and take advantage of what that gets you, of the extra freedom, of belonging to the tradition of the novel?
All things in nature work silently. They come into being and possess nothing. They fulfill their function and make no claim. All things alike do their work, and then we see them subside. When they have reached their bloom, each returns to its origin. . . . This reversion is an eternal law. To know that law is wisdom.
From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality.
So, you just have to keep pushing yourself with regards to the choices you make, to make sure they're very different from one another, I suppose. I don't know. I don't have any answer for any of that. I can't help but just say yes to lots of work that comes my way because I'm so relieved and so desperately excited and pleased that anyone could possibly offer me any work anyway.
I felt that let's understand that all these people are just human, even the advisors in the White House, they're just real people trying to make real decisions and they make mistakes like anybody else does under pressure. If you can get that with these great performances then you claim it on that level as well.
Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.'
I probably have about four or five cups of coffee a day. I make myself an espresso macchiato when I wake, which is a shot of espresso and just a dollop of steamed milk. Then, if I'm going to do some work at home, I would make myself a French press. It's the best way to make conventional coffee.
Once you know the fundamentals of cooking, then you don't need to follow a recipe - you just know what herbs go well or what meats, or what combination of what goes together, and then you can just branch out from there. But if there's something specific that I want to make, I work on the recipe and tweak it to my own.
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
If you're good at the art and you wanna make money, then it's fine. But if you're just doing it because you know you're gonna make money, then I don't know. Some people do it just because they need the money, but it depends on a lot of things.
If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier.
Remember, life is for living and learning. So listen to your life and the lessons it offers. What choices must you make this day to help you move forward? Make your list of the things you can do right now to create what you want and begin to do the work. You can say yes to happiness, wholeness, and prosperity. You can live fully and creatively. You can claim your power to choose. Why not claim it now?
You want to know what I make? I make kids work harder than they ever thought they could. I can make a C+ feel like a Congressional Medal of Honor, and I can make a...
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