A Quote by Judith Thurman
The border between editing and ghostwriting is, at its extremes, a bit porous. An editor really improves and sometimes restructures a manuscript and suggests changes.
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I really only became an editor, or started doing my own editing because I was filming the docs and you simply can't keep an editor on for as long as it takes so.
The border is way more porous than it should be, and I think we'd be open to discussing anything that enhances border security.
When you look at the Lebanon-Syria border, you see a porous border despite the fact that you have a U.N. Security Council decision that speaks of an embargo on weapons transfers to Hezbollah.
I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
The idea that you're going have zero people crossing the border is unrealistic. But today we know that's not the case. Today we know we've got a porous border and people are coming in, and we don't know who they are. So secure the border then we can have a conversation about it.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
I loved editing, and being a cookbook editor is a really a great job.
As a matter of fact if you think about [Donald Trump press conference after visit to Mexico], that could have been may be one of the Gang of Eight, the bipartisan group that in the Senate some years ago passed a bill that said border security. It said thousands of new border guards to deal with the porous border. It talked about a pathway to legalization for the 11 or 12 million undocumented that live in this country.
Sometimes when I'm in the editing room and there's a new person there, like a music editor or a post person that I don't really know, I'm like, 'Oh, you shouldn't be in here. This is too personal - you can't watch this.' But then I'm like, hey dummy, you're about to show this to the whole world.
Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must.
We cannot have this porous border, where people come in and out; we don't know who they are.
Art changes all the time, but it never "improves." It may go down, or up, but it never improves as technology and medicine improve.
The Mexico - United States border was always porous. People have been going and coming back since before the Spaniards arrived. Now we're seeing communities who have family members on the other side very frightened. I feel saddened for those families divided by violence. The whole border area is under siege.
Usually, an author writes a manuscript that is handed in to the editor. The editor will then work with an art director to find just the right illustrator for the job, and off they go. Many times, the illustrator and author never meet.
Androgyny suggests a spirit of reconciliation between the sexes; it suggests, further, a full range of experience…it suggests a spectrum upon which human beings choose their places without regard to propriety or custom.
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