A Quote by Julia Stiles
The best working experiences I've had are with directors who want to create with you while you're on set. I prefer a much freer environment. That's why I'm always trying to mess things up, just to know that I can!
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but it's not always as set as that. Some things, though, feel like they're right. You and me? It's one of those things. I don't know why they see or why things are such a mess, but in the middle of it all, I do know that being around you is one of tue best things that happened to me in, well, ever.
I learned so much about the toxicity of our environment while trying to get pregnant, I didn't want to do anything to mess up the kid now that she was finally here.
I love working with directors who have good taste. It's incredible when a director can say something and things open up for you. I went to The University of North Carolina School of the Arts, and some of my best experiences on sets have been working with other alums.
I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.
Why can't it be awesome to work for a food company? Why can't we create an environment where people are trying to push each other to do great things, and we're not trying to steal from anybody - we're trying to be good to our farmers and run an honorable business, if there is such a thing anymore?
I'm just like you - I want to be a good human being. I'm doing my best, and I'm working at it. And I'm trying to be a Christian. I'm always amazed when people walk up to me and say, 'I'm a Christian.' I always think, 'Already? You've already got it?' I'm working at it. And at my age, I'll still be working at it at 96.
Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.
I grew up sort of lower working class. And I just didn't want to have the money struggles that my parents had. You know, I could just - as loving an environment I grew up in - and I grew up in a great home, a very loving home - but, you know, we had that stress. We had that stress in our life.
Once I came out in college I just have always been out and at work with pretty much everybody. My wife and I both working as journalists, because she's a photographer, and often working together, would have to kind of navigate this weird world. When you're trying to develop sources, when you're trying to you know make personal connections with people, you inevitably want to share things about yourself and that can be really tricky.
People have to realize that just because you're a Christian, it doesn't mean that you're perfect, because every once in a while everyone stumbles. Living by faith is about when you do mess up, getting back up, brushing yourself off, and keep trying to improve where you mess up or where you have temptation.
I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
You come out of a working-class environment, you know, working-class kids always put them themselves together because it's one of the only things they had. You had control of your image.
I would prefer to use the word free. I think the Dior thing is so much freer. There was not so much free about Jil's way of working.
I developed an interesting skill set in that I was able to create a network and create experiences and environment - I built this decadent playground for men. It might have been successful, but it wasn't important. It didn't have any true meaning.
We weren’t trying to strike it rich with Firefox. It’s open source and it’s free. We weren’t trying to take over the world; we had kind of modest goals, and it was OK if it failed. We were a lot freer to make risky decisions. If you can afford to do things that way, it’s just so much better. You’re not thinking about venture capitalists or marketing or sales. Just product and users, all day every day.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
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