A Quote by Julie Benz

When I first started I was always known as The Girl on the Sitcom with the Funny Voice. — © Julie Benz
When I first started I was always known as The Girl on the Sitcom with the Funny Voice.
I may be known as the girl who was sunbathing topless with a Prince but Jordan is known as that thick girl who always falls out of clubs drunk. I know which one I prefer.
I've known for quite a while that I was a funny girl.
I was known as the little girl with the big voice.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
When I came out to Hollywood in 1985, I thought that I would be sitcom star. I'm a tall, skinny, goofy guy. I thought that I would make a great funny neighbor, or wacky office mate, in a sitcom.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.
Funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny. I think it's that if you don't have the visual, you have to infuse the full personality into the voice.
I've never considered myself to be naturally funny and it wasn't until I booked my first few jobs in Hollywood that I started thinking, "I guess I'm funny."
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
The funny thing is I have known AJ Lee. She started in New Jersey; I worked in New York. We have crossed paths and she was always great with me and always sweet to me but obviously I went one way and she went to WWE.
My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.
I've been seesawing between not doing too much racial stuff - because I'd rather be known as the funny comedian than the funny Chinese comedian - but at the same time embracing my voice and who I am and what makes me unique, you know, which is the racial background.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
I love being funny! I started in the theater when I was 9 and, believe it or not, always played the funny part!
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
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