A Quote by Justin Cartwright

Strangely enough, the legend of John Brown, who was clearly crazy, helped the abolitionist cause and is thought to have precipitated the American Civil War. — © Justin Cartwright
Strangely enough, the legend of John Brown, who was clearly crazy, helped the abolitionist cause and is thought to have precipitated the American Civil War.
One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
John Brown was the abolitionist to end all abolitionists. People thought he was crazy. He was like John Coltrane playing free jazz, exhausting all possibilities in his approach to harmony and improvisation.
Did John Brown fail? John Brown began the war that ended American slavery and made this a free Republic.
If I had to write down the most important people in the history of this planet, No.1 would be (abolitionist) John Brown. Why? Because he's a white man who said he would die for the cause, because they could take him, but they weren't going to take his grandchildren. That brother was beautiful.
We've actually bought quite a number of historical pieces. We are doing a piece on the abolitionists, Harper's Ferry and the abolitionist John Brown with Paul Giamatti.
Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage.
[On John Brown:] The poor wretch is hanged, but from his grave a root of bitterness will spring, the fruit of which at no distant day may be disunion and civil war.
John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.
None of the black abolitionist newspapers, the first of which appeared in 1827, was in existence after the Civil War.
[John Brown's] zeal in the cause of freedom was infinitely superior to mine. Mine was as the taper light, his was as the burning sun... I could speak for the slave. John Brown could fight for the slave.
I helped make Mexico, especially Tampico, safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefits of Wall Street. The record of racketeering is long. I helped purify Nicaragua for the international banking house of Brown Brothers in 1909-1912. I brought light to the Dominican Republic for American sugar interests in 1916. In China I helped to see to it that Standard Oil went its way unmolested.
And before me was the great raw bulge and bulk of my American continent; somewhat far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded - at least that's what I thought then.
You know, I thought seeing Aretha Franklin last year was amazing, and I didn't think anyone can top that. But if someone can, John Legend would be the man. In my mind, he's a legend, no pun intended.
The intelligence community is so vast that more people have top secret clearance than live in Washington. The U.S. will spend more on the war in Afghanistan this year, adjusting for inflation, than we spent on the Revolutionary War, the War of 1812, the Mexican-American War, the Civil War and the Spanish-American War combined.
I'm working on a script right about Civil War re-enactors who go back in time to the actual Civil War. It's kind of a big, crazy Back to the Future comedy. So, of course, it's the Civil War - I play the banjo. I was just having a conversation with one of the producers about some of the material and he was like, 'You know, we have to work in a scene where you play the banjo. And I was like I'll get behind that.
Working on a startup is a balancing act: being crazy enough to believe your idea can take off but not crazy enough to miss the signs when it's clearly not going to.
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