A Quote by Justin Cronin
One of the things you get to do as a writer is that you get to learn new stuff all the time, and I hope that I'm a better writer when I'm 70 than I was when I was 30. That's one of the great things about a literary career.
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It's great to win a few prizes early on. It helps a writer to get noticed and to get some sales. It can also be a pain in the arse because it gets in the way of the quiet, contemplative time every writer needs, but which is particularly important when you are a new writer finding your own voice, and pursuing the things that interest you.
If you can get sexual attention and then (or therefore) succeed as a writer - or [fill in career blank] - that means you're a writer worthy of literary respect?
I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.
I am a writer and the greatest compliment I can get is to know that I've contributed language to the culture, that I've defined something, given it a name. So I think that is one of the great things a writer can do.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
People don't believe or understand that a community can lose hope. You can have a whole community where hopelessness is the norm, where folks don't have faith that things will get better because history and circumstances have proven over 30, 40, or 50 years that things don't get better.
That's just a stressful way to live - saying, 'OK who's doing great, who's doing better than me?' ... Let me just worry about me. I'm not worried about anyone else. If you're doing fine, great; if you're struggling, I hope things get better for you. But I've got to be worried about my career.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I realized early on that if I became an actor, I could play a writer and a sculptor and a painter and be all the things you just don't have time to be in your lifetime. I could get to learn about all of them.
I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident.
I hope I'm not just looked as a writer that is popular but as a writer of literary value.
On every job you do, you've got to raise your game. My ambition is to just get better and better every job you do - you should never stop trying to get better. You have to teach yourself new things - I don't think you necessarily learn them from other people because you have your own style of doing things, but hopefully you get better.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
It's not that demanding. It's fun. That's one of the great things about being an actor. You get to learn all these things normal people don't get to learn. Going through hallways where it's basically like S.W.A.T. tactical stuff. Around hallways, how to cross, how to signal everyone. Then how to hold a gun, holster the gun - everything.
Let me just worry about me. I'm not worried about anyone else. If you're doing fine, great; if you're struggling, I hope things get better for you. But I've got to be worried about my career.
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