The original concept for JTV was that we would give people a window into other people's lives. The problem is that if that window is 24/7, when you look in at any random moment, odds are you are going to be bored.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
I don't understand people who say they're bored. Look out your window.
One of my thrills of the business is to find young people, there's a window. I like young people who are in that brief window between on their-way-up and rehab. In that window I can make stars. It's not really true but it's not so far off.
Then is what you see through this window onto the world so lovely that you have no desire whatsoever to look out through any other window, and that you even make an attempt to prevent others from doing so?
We're all given a window of opportunity, I think all artists are, of any genre. A window when you're truly relevant, the spotlight's on you and people are watching what you do.
I found that being online has opened a window for me to look into other people's lives... The greatest fear that I have is losing touch.
I call it God Light, because it reminds me of heaven. Every time the light shines through the window we built or any window at all, you'll know I'm right there with you, okay? That's going to be me. I'll be the light in the window.
Hope is when you look out the window and you go, 'It doesn't look good at all, but I'm going to go beyond what I see to give people visions of what could be.'
I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.
The idea of the Overton Window is that there`s a fairly narrow window of proposals in any particular policy area that people will take seriously that wouldn`t get you written off as a kook. The way to move or expand that window is to advocate super extreme positions which change the realm of what`s politically possible because after something super nuts has been .
floated, thereafter, slightly less nuts positions will start to look acceptable and moderate by comparison.
In any case, whenever technical progress opened a new window into the surrounding world, I felt the urge to look through this window, hoping to see something unexpected.
Sometimes, writing songs is like waiting in for deliveries. They give you a window, and your washing machine is going to show up, whether the window is the album or something you're thinking, like, 'This thing is going to come to me.'
Yes, it is better to look from the window than not to look at all, but to look through the window cannot be compared to the windowless sky.
You live in an apartment in New York, and you think all the time about like, 'I don't even know who's living above me.' There are all these anonymous people in that window or that window or that window, and everybody has their own interesting life that I know nothing about.
I sometimes say to people, "I am a window frame - no more. The window frame is not that important. What is important is the light that comes through the window.
When you look at a beautiful view from a window, the beautiful view also looks at you from the same window! But the window looks at both you and the view! Wise man is the window itself; he looks at everywhere!