A Quote by Justin Peck
I've always thought of the process of creating ballets as being this kind of team effort. It's not like being a painter, where you have your paint, and you have canvas, and you just go at it. I'm working with these living, breathing, functioning human beings, and they have their own thoughts and ideas about what works well movement-wise.
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Organizations are about putting ideas through one or more types of gating procedures. In this way, ideas go from being a whim to becoming a project, from being a "skunk works" effort to becoming an official, mainstream effort, from being an unfounded program to a funded process, and so on.
Being behind the camera you have control; you have the ability to make decisions for characters, for where the story line's going to go, how you want to put it out there, how you want to edit it. Acting is like where you paint on the canvas, and being behind the camera is like being either the paint or the paintbrush. They're both a part of the creative process, it's just that they have two different functions.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
The thoughts and opinions of one human being, if they are sincere, must always have an interest for some other human beings. The world is there to think about; and if we have lived, or are living, with any sort of energy, we must have thought about it, and about ourselves in relation to it - thought 'furiously' often. And it is out of the many 'thinkings' of many folk, strong or weak, dull or far-ranging, that thought itself grows.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
How Human beings are, that is how the society will be. So, creating human beings who are flexible and willing to look at everything rather than being stuck in their ideas and opinions definitely makes for a different kind of society. And the very energy that such human being carry will influence everything around them.
I used to flirt with fundamentalism, and I had this idea that creation was something that happened. Now I see creation as something that is happening. Hundreds of millions of stars are still being born every day. Creation is an ongoing process. The Artist has not yet cleaned out the brushes. The paint is still wet. Human beings are the small clumps of clay and breath, and we have been handed brushes of our own, like young artist apprentices. The brushes aren't ours, nor the paint or canvas, but here they are in our hands, on loan. What shall we make?
Generating diverse ideas requires being clear about the kind of input needed and creating multiple ways for diverse team members to share their ideas (e.g. use more than just a brainstorming session).
I was working with C. L. R. James; I believed in Marxist ideas about the labor and movement and the workers being the secret to the future. And I learned differently just by being in Detroit and being married to Jimmy Boggs.
The whole environment out there is a living, breathing almost conscious being that is saying something to us human beings. The forests can't act but they can inspire us and they inspire people like myself and money others in the conservation movement to act on their behalf.
Being a functioning alcoholic is kind of like being a paraplegic lap dancer: You can do it, just not as well as the others, really.
People experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other. We live in a society that does not openly accept every kind of human being. And so the result is when you are yourself and someone who's marginalized, it becomes a revolutionary act - just being comfortable in your own body and being comfortable speaking, sharing your ideas. It's really amazing and also, like, kind of sad.
But sport is about character. It is about understanding how a team works, about pushing the team. I also wanted to do it because of where I am from as a human being. That's what London people want: thinking outside the box, new ideas.
It's weird talking about the album as a living being with its own thoughts and direction, especially if you're the one creating it.
I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.
Most of us are consumed with our own thoughts and desires and are not always thinking about what other people may want. This is not necessarily being egocentric; it is just being human.
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