A Quote by K. Flay

What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
When you have children your own hypocrisy becomes more apparent because you're telling them how to behave, and you're not behaving like that yourself. So it obliges one to really go in and try to look at why there is a huge gulf between how one knows one wants to behave and how one actually does behave.
I feel like I've been able to live a dream life, but my view of things is absolutely inside behavior about how I behave and how I count on other people behaving.
I've chosen to be this way because that's how I feel comfortable with myself. That's how I am. It's about joining up the dots between how you look and how you feel inside, and I think that's what I've done, and I think people do it differently.
It would be more interesting to learn from children, than try to teach them how to behave, how to live and how to function.
People behave more on the basis of how they feel than how they think; unless there are good feelings between people, it is almost impossible to reason intelligently.
How would you feel if you had no fear? Feel like that. How would you behave toward other people if you realized their powerlessness to hurt you? Behave like that. How would your react to so-called misfortune if you saw its inability to bother you? React like that. How would you think toward yourself if you knew you were really all right? Think like that.
People that have known me for a while tell me how they see me grown as an artist and as a writer. I think that this comes with continuing writing each day. I try to write as often as I can and explore more while I do it. I feel more comfortable with opening up and telling more of my story to everyone.
We have recognized that the world is changing. How your children are behaving, how their friends are behaving. What they consume and what they watch.
The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more. It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.
You have more of an opportunity than people think to impact a game through the tone that you can set. You can't control everything, setting that tone is important.
And so, in terms of setting the right tone and finding a way of presenting all of these things, that creates a cohesive whole and doesn't alienate the audience, is tough. That's a challenge. And I think the tone of a lot of shows is discovered through experimentation and actually making it. Eventually, it starts to cohere.
I know that people look at my life and ask, "How can I achieve some of those things?" So, I suppose in that sense, yes, I'm a role model. But I try to think of myself more as a mentor, as somebody who I hope young people feel comfortable approaching or writing to.
The World Cup is made up of human relationships, you have to feel how the dressing room is established, how the players interact, the responsibility, the joy, the pride, you try to balance things out. If you're hyper, you try to slow it down; if you're a bit low, you try to hype it up.
I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens.
For me, it's about being comfortable... but I can feel comfortable in a thong leotard and on stage. Growing up as a dancer, that's how I'm comfortable in my body. It's about where you grew up and those things; it's a way of communicating your spirit to the world.
With every performance I just feel more energized somehow. Like, this is how I exercise! This is how I feed my ego, by playing this loud rock music.
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