A Quote by Kamasi Washington
As a musician, your instrument is almost predetermined. I had played drums, piano, clarinet, but when I heard Wayne Shorter play the saxophone, I knew that sound is what I wanted.
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I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.
I play drums, clarinet, saxophone, trumpet, french horn, piano.
Cello is my first instrument, then piano, drums, bass, violin, recorder, saxophone, but I'd never play them live!
I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
I was already playing the clarinet and the piano. My father's a piano player. But I wanted to play in a funk band, and the clarinet wasn't fit. So you was "Hey, man, can I sit in?" They're like, "No, man." So I started fooling around with the bass.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
I started playing drums at three, then piano at five, then clarinet. But it wasn't till I picked up a saxophone aged 13 that I really got serious about music.
I always wanted to play some kind of instrument - piano, saxophone, whatever. I took it up for a while, then forgot about it because I didn't have the time.
We decided to do some of Merle's things with modern instrumentation. We used a flute, a bass clarinet, a trumpet, a clarinet, drums, a guitar, vibes and a piano.
I only started playing piano because I had chickenpox when I was about 14 and wasn't allowed to play my drums for a whole week... We had a piano in the house, so I just sat down and played that instead.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred.
My mother was the only musician. She played piano and she sang. She also played saxophone. And she played at home a lot.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you; each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.
I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
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