A Quote by Edge
To me, the best part of coming up in that, kind of the last era before it went that way with the FCWs or NXTs, kind of the farm system, is that, you know, wrestling Jimmy Valiant in front of 10 people in Cleveland. We didn't touch. I think we did two things, but we were out there for 20 minutes.
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When I was at Leipzig, I was coming on for the last 10 or 20 minutes, and the game has kind of gone then. You don't get a feel for how you are as a player.
The Cubs, we built one of best farm systems - I think for a while there, it was the best farm system in baseball. And that was great. It got a lot of attention. But we didn't want the credit for the farm system. What we wanted was to see if we could do the tricky part, which was turn a lauded farm system into a World Series champion.
I think NXT is kind of like the Cleveland, Ohio, of professional wrestling. We're that underdog whose hungry, who's always out to prove people wrong, and that's kind of what our locker room represents.
I grew up in the spoken-word community. Before everybody had a home studio, or before we could get booked for shows, open mics were the only way to be heard by other people. It really gave me a chance to develop as a performer. Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
When I started out, at 19, I was told, by the media and the film industry to do a certain kind of films and work with certain kind of stars. Coming from a non-filmi background, I did not know how to go about it, as there were different people trying to push me in various directions.
But [Sunday] as you saw, it was obviously [the media] took some more than initiative to try to get me to kind of go down the wrong path. I know the last two teams that I've been on, I felt like I left those teams prematurely due to media interviews that I've done and things kind of taken out of context and they created sort of a media whirlwind in the locker room and things kind of went downhill from there. I'm just trying to do the best job I can do as far as answering the questions and trying to be a better teammate and not try to throw people under the bus.
Kind of where you end up your ride on a horse is so important. It's a little bit like when you guys were younger & you were dating, that last two minutes of the date can be a real deal breaker. With these horses it's the same thing you know? You got to quit on a good note.
In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it.
Up until I think eighth grade - when I found out in front of a roomful of people - I believed that England and Great Britain were two entirely different places. Like I didn't know that England was a part of Great Britain. I thought they were completely separate in every way.
We could walk 3 minutes and be on the beach. I think the music kind of suffered because of it. It kind of smelled like Jimmy Buffett, which is a bad thing.
When I left teaching, I don't think anyone I worked with necessarily understood what I did or the level at which I did it but I think they all do now. I think its Bullet Club stuff and what we're doing now in wrestling is, honestly, such a big part of pop culture that it's kind of hard to avoid, even if you don't follow wrestling.
The two sports are as different as Ping-Pong and rugby. In boxing, you don’t know what’s going to happen. In wrestling, it’s already prearranged. But the thing I didn’t know about wrestling is that you really get hurt. Because, you know, you’re wrestling in front of a live audience, and you end up doing things like jumps or slams, and 40 percent of the time you don’t land right.
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
I think people are wrong to do it, to compare him to your way of wanting to do it. If you're passionate about it, do it and do it your way. It's not always going to be in front of the cameras after a football game - that was the way I did it. Somebody else has a different way, and that's [James] LeBron, and I know who he is. And I can't get into specifics, but it did upset me that people were calling him out for that because they were just wrong.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
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