A Quote by Karen Allen

I feel as though I would be delighted to come back into working in the film world, and working in the theater world again. I'm just gonna see what happens. — © Karen Allen
I feel as though I would be delighted to come back into working in the film world, and working in the theater world again. I'm just gonna see what happens.
I went to film school when I was 17, and of course when you are very young you think that there is nothing else in the world except film. At some point I started getting hungry to see something else. For five years I didn't make any films, I was traveling around the world, writing for newspapers, working in theater, working in opera, I thought I would never return to film.
In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.
I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
He comes to this other world and he has to reinvent himself. Again, it felt natural, even though I'd been working really hard trying to come up with something.
After I finished working on the movie, I went back into the show again playing Riff, so it was an incredible time because I loved playing Riff in the theater and, of course, I loved playing Bernardo in the film. We had such a really beautiful time. We knew we were working on something of quality.
I've been working, working, working, and you know, sometimes you look back at your work and you see that it just isn't any good.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
If you see a child with autistic-like behaviors at age two and three, the worst thing you can do is just let them sit and watch TV all day. That's just the worst thing you can do. You need to have a teacher working with that child, working on teaching language, working on social interaction, working on getting them interested in different things, and keeping their brain connected to the world.
But it's strange, when you've always been told something is true, like the moon will come back. You need proof. And while you wait, you feel the entire balance of your world just tipping. It's crazy. But when it's over, and it does come back, that's the best, because it's all you want, everything narrows to just that. It's this great rush, like for that one second everything's okay with the world again. It's amazing.
One of the things that I really love about doing a film is working with actors and the whole casting process. I feel I'm not looking for actors. I feel I'm looking for characters. If the characters come from Bollywood, fine. If they come from Indian theater, perfect.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
Working on a film is different from working in an office. You spend 16-hour days together; you share stories and become really close. But, when you finish shooting, you don't see each other again.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
I haven't really had a major role in film for about 12 years. But I never stopped working in the theater. I do stuff back to back.
Working together, we can help Americans get back on their feet and make businesses more competitive to allow them to hire and expand again and revitalize our economy. It requires Republicans and Democrats working in a bipartisan way, though.
First career I had right out of engineering school was at Lucas film, not working in the movies but working in home theater.
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