A Quote by Karl Ove Knausgard

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
I can still remember the miraculous feeling of writing a sentence, then more sentences, telling a story. The first thing I wrote was a one-page summary of Robinson Crusoe and I am so sorry I do not have it any more; it was at that moment I became an author.
The more I wrote, the more I became a human being. The writing may have seemed monstrous (to some) for it was a violation, but I became a more human individual because of it. I was getting the poison out of my system.
I started writing an album on flights to Africa and Brazil, but it was crazy because I left the notebook on the plane. It had seven or eight songs in it. After that, I'm not writing any more songs on notebooks - and I keep my Blackberry close!
The more and more I got into writing, the harder and harder it became for me. I still love it, but it became much more problematic than I thought it would be.
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
I still only play by ear. I don't have any training. But the piano actually makes more sense to me than guitar, even though I play more guitar now. And then, it wasn't till later that I started really writing songs. Writing songs was an outlet that I needed, so I became obsessed with it. It allowed me to express a bunch of stuff that had been piling up.
I grew up in a very small house with five brothers and sisters and my parents, all with one little bathroom. And from as early as I can remember, seven, eight years old, I was listening to music to get a way from it all. Then the discovery of all this amazing stuff that became more than just getting away from it, it became a part of my DNA.
Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.
As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.
Obviously, growing up in France, I had foie gras probably when I was two years old. Writing about it and understanding what's going on in the world about it, I think I became more conscious and more thoughtful about things, for sure.
I just started to want to be more hands on, and again, because of the nature of this job which was to evaluate the writing apart from the production, I got clear on what a director did and I became interested in directing, so I started to do that in the late 80s.
... the more I learned, the more conscious did I become of the fact that I was ridiculous. So that for me my years of hard work at the university seem in the end to have existed for the sole purpose of demonstrating and proving to me, the more deeply engrossed I became in my studies, that I was an utterly absurd person
When I was about 11 years old, I wrote a song with my dad. Then in high school I started more writing.
There are innumerable writing problems in an extended work. One book took a little more than six years. You, the writer, change in six years. The life around you changes. Your family changes. They grow up. They move away. The world is changing. You're also learning more about the subject. By the time you're writing the last chapters of the book, you know much more than you did when you started at the beginning.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
When I became a soldier, I was drafted in 1937, and instead of being released two years later, I had to stay on because the war had started in the meantime. I was a soldier for more than eight years, as long a time as I was Chancellor.
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