A Quote by Kate Christensen
My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.
Related Quotes
There are many things in this world that are an outrage, to be sure, but death at our current life expectancy doesn’t strike me as one of them. Maybe I sound like some Victorian who felt that forty years ought to be enough for any man, but one of the marks of a life well lived has to be reaching a state of finally getting it, of not needing more, and of being able to sign off with something approaching peace of mind.
The advantage of living is not measured by length, but by use; some men have lived long, and lived little; attend to it while you are in it. It lies in your will, not in the number of years, for you to have lived enough.
I didn't say you shouldn't worry, do you think I don't worry? But no, you probably can't do anything about me.' 'Well, maybe no, Sassenach, and maybe so. But I've lived a long enough time now to think it maybe doesna matter so much-- so long as I can love you.' -Claire & Jamie Fraser
Sometimes I think it is ... frustration with life as it is lived day to day that compels me to write such long letters to people who seldom reply in kind, if indeed they reply at all. Somehow by compressing and editing the events of my life, I infuse them with a dramatic intensity totally lacking at the time, but oddly enough I find that years later what I remember is not the event as I lived it but as I described it in a letter.
I lived in Los Angeles for a long time, and in a lot of ways, I felt like I lived in my car.
History is life; he who has not lived, or has lived only enough to write a doctoral dissertation, is too inexperienced with life to write good history.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
When you have lived the life I've lived, when you've loved and suffered, and been madly happy and desperately sad -- well, that's when you realize you'll never be able to set it all down. Maybe you'd rather die first.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
Of all the universal lies she accepted unquestioningly, the happy ending was the most absurd. The hero and heroine lived happily ever after, and the ending seemed indisputable, definitive. No questions asked about how long love or happiness lasts in that 'forever' that can be divided into lifetimes, years, months. Even days
Give me a lever long enough and a fulcrum on which to place it, and I shall move the world.
I've lived in Hawaii long enough now where people don't make a big deal about me being there; I'm just a part of the community, thankfully.
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
My life was made easy - I lived in a village, and by writing for some newspapers and magazines, had enough to live on. I was happy to be there and write.
I've lived in a lot of places - London, Germany, Tokyo, Scotland, Ireland, Los Angeles, and New York. The fashion capitals I've lived in - Tokyo, London, and New York - have this stamp of coolness about them. But I've noticed that in big cities in general, people are just less afraid to be themselves when it comes to fashion.
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