A Quote by Kate Christensen

Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
Five years before 'Port of Miami,' I was to a point where I may have even felt like quitting... the style and the wordplay of my lyricism was more complex than what Miami was used to.
Lil Wayne, that was one of my main influences, music-wise, because of his wordplay and metaphors.
Metaphors are not user-friendly. They're difficult to find and difficult to use well. Unfortunately, metaphors are a mainstay of good lyric writing-indeed of most creative writing. ...metaphors support lyrics like bones.
The most damaging part of pervasive bias, whether it's implicit or complicit because sometimes it can be well-intentioned, is when that bias gets internalized and women start self-centering and stop thinking that they're incapable of achieving what they want and achieve empowerment.
I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
We don't have enough young, female antiheroes. We don't accept women as antiheroes the way we do the men.
Manic depression is a type of depression, technically, and it's the opposite of uni-polar. Manic depression is also called bi-polar disorder. Some people don't like to call it that because they think it makes it sound too nice, when the reality is if you have manic-depression you have manic-depression.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
My character is self-important, poorly informed, well-intentioned but an idiot. So we said, `Let's give him a promotion.'
You're right, a spleen is a strange thing-we technically don't need one, but maybe spleens are kept in our bodies in case we mutate or evolve, and if we grow wings or tentacles we need to have the spleen in place in order for them to work.
There's a level of frustration and anger here in the United States that we're not prosecuting this war, and we're actually in discussions about bringing over Muslim refugees into this country, with a president who's now mocking, you know, the talk radio people, mocking the audience on talk video, mocking the sites like Breitbart, that are bringing up these issues.
It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.
She was clothed entirely in two large swatches of leather, the leather fake and shiny in a self-mocking way, absolutely correct for 1993, the first year when mocking the mainstream had become the mainstream.
There is a luxury in self-dispraise; And inward self-disparagement affords To meditative spleen a grateful feast.
You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies are great metaphors for the times we live in today and that's what I always find fascinating about them, but then it's like the walking dead, you know, the unconscious, and the metaphors for them are just really something I was inspired by.
We live in far too permissive a society. Never before has pornography been this rampant. And those films are so badly lit!
This site uses cookies to ensure you get the best experience. More info...
Got it!