A Quote by Kate Dickie

I hate going into a room with people in it and the feeling of them staring. I find every moment excruciating. — © Kate Dickie
I hate going into a room with people in it and the feeling of them staring. I find every moment excruciating.
Every time I'm feeling anxious, I go to my little meditation corner in my room and write down whatever I'm feeling. If I'm feeling terrible, I write that I'm feeling terrible and I accept that and I keep going, but I'm not going to wallow in that moment.
I think most British people who say they can do an American accent are so bad at it. I find it excruciating. I find it excruciating the other way around, too.
Sharing a room with a cadaver is only mildly different from being in a room alone. They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.
When I was on 'The View,' I went backstage to Whoopi Goldberg's dressing room, and she told me, 'People are going to love what you do, and people are going to hate what you do, but you have to keep doing it. You have to stand up and do what you know is true, despite what people are going to say.' And I'm taking that into every aspect of my life.
Every time you do something, people are going to like it, people are going to hate it. You tend to make the movies on the basis you are making them for the people who are going to like them and not worrying too much about people who don't like them.
Trying to be a professional dancer, paying my rent by posing nude for art classes, staring at people staring at me naked. Daring them to think of me as anything but a form they were trying to capture with their pencils and charcoal. I was defiant. Hell-bent on surviving. On making it. But it was hard and it was lonely, and I had to dare myself every day to keep going.
I think bullying comes from a person's feeling of self-worth, and so what you do is you find out where you are in a totem pole, and you may slide in somewhere in the middle. So you say, "OK, well there's all these other people who I respect and admire, and there's all these people below me, so I'm going to put on them this sense that they're inferior and I'm going to belittle them, and that's going to raise my stature."
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
I don't hate too many guys. What I may do, I may hate them for a little while, like this guy Stradlater I knew at Pencey, and this other boy, Robert Ackley. I hate them once in a while—I admit it—but it doesn't last too long, is what I mean. After a while, if I didn't see them, if they didn't come in the room, or if I didn't see them in the dining room for a couple of meals, I sort of missed them. I mean I sort of missed them.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I dealt with people with diverse political views. If you find people who are your political opponents, and talk to them for an hour, chances are you're going to like them, and they're not full of hate.
Statistically, there have to be more gay men in rugby than we know about and I would hate for them to be going home from training and feeling depressed or feeling like they need to live a lie.
You have to understand what they (pitchers) do. That's my job. You have to find a way to get them through the game if they're not feeling good. When everything is going good and they're feeling one-hundred percent, it's my job to keep them that way. And you know what? If I see something, I'm going to let them know.
It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.
I can't hate people that much. Don't get me wrong. I want to murder every last Keeper I can find. But that's not hate. That's vengeance.
At every moment of our lives we should be trying to find out, not in what we differ with other people, but in what we agree with them.
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