A Quote by Katherine Paterson

Once a book is published, it no longer belongs to me. My creative task is done. The work now belongs to the creative mind of my readers. I had my turn to make of it what I would, now it is their turn.
I am a conventional science fiction author. But that said, once your work is published, it no longer belongs to you. It belongs to the readers and they will derive all sorts of interpretations.
[Making Ordinary People] was a wonderful experience. Tremendous. I haven't seen it since. It belongs to the public now; it no longer really belongs to me.
A creative moment is part of a longer creative process which, in turn, is part of a creative life.
The arrow belongs not to the archer when it has once left the bow; the word no longer belongs to the speaker when it has once passed his lips, especially when it has been multiplied by the press.
The worker puts his life into the object; but now it no longer belongs to him, it belongs to the object.
I had a fascination with the back side of the business, and the creative process always fascinated me. Vince gave me an opportunity in '98 to sit in the production meetings. He would talk creative with me, and we had this creative rapport.
As an author, one of the most important things I think you can do once you've written a novel is step back. When the book is out, it belongs to the readers and you can't stand there breathing over their shoulders.
Discouragement, if pursued, is the exercise of an option: to turn from creative to noncreative mental activity, to turn from what is present to what is over, to turn from that which builds to that which destroys.
No matter how much fame you have, it's not something that belongs to you. If I'm famous, that doesn't belong to me-that belongs to you. If you can't remember who I am, I'm no longer famous.
I have a passionate desire for personal privacy. I want to stand before the world, for good or bad, on the book I wrote, not on what I say in letters to friends, not on my husband and my home life, the way I dress, my likes and dislikes, et cetera. My book belongs to anyone who has the price, but nothing of me belongs to the public.
She believes that Tobias belongs to her now. She doesn't know the truth, that he belongs to himself.
Who knows? Maybe my life belongs to God. Maybe it belongs to me. But I do know one thing: I'm damned if it belongs to the government.
I believe that the creative impulse is natural in all human beings, and that it is particularly powerful in children unless it is suppressed. Consequently, one is behaving normally and instinctively and healthily when one is creating - literature, art, music, or whatever. An excellent cook is also creative! I am disturbed that a natural human inclination [creative work] should, by some Freudian turn of phrase, be considered compulsive - perhaps even pathological. To me this is a complete misreading of the human enterprise. One should also enjoy one's work, and look forward to it daily.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever.
The future belongs to those who are creative collaborators
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