A Quote by Katherine Paterson

I love revisions...We can't go back and revise our lives, but being allowed to go back and revise what we have written comes closest. — © Katherine Paterson
I love revisions...We can't go back and revise our lives, but being allowed to go back and revise what we have written comes closest.
I revise and revise and revise. I'm not even sure "revise" is the right word. I work a story almost to death before it's done.
Trust your imagination. Don't be afraid to fail. Write. Revise. Revise. Revise.
Go back, go back to sleep. Yes, you are allowed. You who have no Love in your heart, you can go back to sleep. The power of Love is exclusive to us, you can go back to sleep. I have been burnt by the fire of Love. You who have no such yearning in your heart, go back to sleep. The path of Love, has seventy-two folds and countless facets. Your love and religion is all about deceit, control and hypocrisy, go back to sleep. I have torn to pieces my robe of speech, and have let go of the desire to converse. You who are not naked yet, you can go back to sleep.
If you try to write 1,000 words a day, as I do, after 100 days you'll look up and have a book. It may be a mess, and you may have to revise it 50 times, but you can't revise it if you haven't written it.
That said, in the two weeks before I leave for the Dark Days tour, I am going radio silent, which means I will be avoiding the Internet at all costs in order to revise, revise, revise. I will miss you. Tris says hi, though.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
I edit as I write. I revise endlessly. I don't go forward until I know that what I've written is as good as I can make it.
It's easier to revise lousy writing than to revise a blank sheet of paper.
When you put your characters in a dire situation, they often do things that surprise even you, so you have to go back and revise your original conception of who they are.
Though I revise constantly as I write, I will usually revise much of the work again after I've reached the ending.
I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.
That is what we have in revisionist historians. It starts with their own atheism, their own unbelief, and then they go back and attempt to revise and rewrite history in their own image.
I don't spend the day writing. I'll maybe write fresh copy for two hours, and then I'll go back and revise some of it and print what I like and then turn it off.
If you start to revise before you've reached the end, you're likely to begin dawdling with the revisions and putting off the difficult task of writing.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
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