A Quote by Katie McGrath
No actor can play a villain if they don't sympathise with him or her - otherwise the character just becomes a two-dimensional caricature.
Related Quotes
I'm not interested in playing the villain as a loud caricature, one-dimensional character. I am trying to humanise evil. If you see my character in 'Aurangzeb,' I am not trying to act evil.
The best strategy for making people care about what happens is if they empathize with both sides. If you just have a Villain with a capital V, it becomes very two-dimensional.
My face lends itself to austere characters, and unless they're two-dimensional, I will do them. Any actor will tell you that an interesting villain is much more interesting to play.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
As an actor, you don't want to play a one-dimensional character.
I love villains. You know, I am a character actor, and any chance to get to play a really outrageous villain. I like to play that.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
The character Jang Joon-woo isn't a simple villain. He is multi-dimensional.
Empathy is much bigger than sympathy. When the character is empathised with, that means you have succeeded as an actor. So even if it's a villain, the audiences don't hate you... they understand why you have turned into a villain.
I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.
You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
Every president becomes a caricature. The press, partisans, late-night shows, and other arbiters of our culture these days boil down complicated and multi-faceted personalities into one-dimensional punchlines.
If we can sympathise only with the utterly blameless, then we can sympathise with no one, for all of us have contributed to our own misfortunes - it is a consequence of the human condition that we should. But it does nobody any favours to disguise from him the origins of his misfortunes, and pretend that they are all external to him in circumstances in which they are not.
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