A Quote by Katie Piper
I feel like I've lived two or three completely different lives. At 33, I'm quite reflective and have the perspective you get in your old age when you have been through the losses of life.
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It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.
I feel like I've lived about three or four different lives.
At 58, I knew I had to get a divorce. At that age, it's an almost impossible thing to go through. I had been married 33 years. I had been married for 33 years. I didn't know anything else.
What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
Be worried if no one is criticizing you. Your job in life is to ignore the 33% who will never like you and do your best to convince the 33% who don't care either way to join the 33% who love you
Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
I think I can adapt quite easily from having a Spanish mother and an English dad and growing up in both places. I feel like I've got two lives - that Spanish life, which was so free, and then I lived in England and went to an all-girls, private school and had to fit in with that. That switching out and becoming someone else, I find it quite liberating, actually.
Even when I teach my MMA classes in the gym, it's hard to teach what I do. It's more of state of flow, a state of feel. It's not a robotic thing like one, two, three, kick, one, two, three, switch, jab, cross. It's completely unorthodox. Everything is about rhythm, tempo and pace. It's a different style, man.
A graceful and blessed old age must have three elements in it: a happy retrospect, a peaceful present, and an inspiring future. And old age cannot have either one of these three if the youth has been wasted and manhood has been misspent.
It's not that people like sad movies that make us feel like, "Oh, my god, what a bummer." We like emotionally moving experiences, where you feel like a slightly different person and you see the world a little different, after you finish. It lets you see your own life, in a different way, and it actually makes you feel really good. And even though there might be sad content making this happen, the feeling that you're left with is one that is quite good, quite hopeful, clarifying and uplifting.
If two-three films of mine release at the same time and if all of them feel like they are from the same lyricist then something is not quite right. The language of all has to be different if they are different stories.
Some of our songs are empowering, but I feel like more so than our music, it's who we are. We're four women who are completely different ethnicities, completely different body types, completely different walks of life and opinions.
It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.
Literature sort of makes your daily operation, your daily conduct, the management of your affairs in the society a bit more complex. And it puts what you do in perspective, and people don't like to see themselves or their activities in perspective. They don't feel quite comfortable with that. Nobody wants to acknowledge the insignificance of his life, and that is very often the net result of reading a poem.
It's completely different, for instance, to report on poor farmers in Africa than it is to report on, say, poor African-Americans. The familiarity of my readers with the terrain, and their preconceptions, are quite different in those two cases, and their perspective, as I imagine it, has to be taken into account at every turn.
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