A Quote by Keegan-Michael Key

There's a thing called the 'One Drop' theory in African-American culture, which is if you have one drop of black blood in you, you're black. — © Keegan-Michael Key
There's a thing called the 'One Drop' theory in African-American culture, which is if you have one drop of black blood in you, you're black.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
Many people believe that determining who is 'black' is rather easy, a task simplified by the administration of the one-drop rule. Under the one-drop rule, any discernible African ancestry stamps a person as 'black.'
One drop of black blood and you're black. That was the rule. That's what kept the wall between whites and blacks was this one drop rule. So I was raised with absolutely no ambiguity about that.
Negro blood is sure powerful, because just one drop of black blood makes a colored man. One drop--you are a Negro! . . . Black is powerful.
I have spent my whole life earnestly believing the fundamental American dictum that a single 'drop of black blood' makes a person 'black' primarily because they can never be 'white.'
The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds
Art is a form of experience of the person, the place, the history of the people, and as black people, we are different. We hail from Africa to America, so the culture is mixed, from the African to the American. We can't drop that. It's reflected in the music, the dance, the poetry, and the art.
There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.
One drop of hatred in your soul will spread and discolor everything like a drop of black ink in white milk.
I suggest that Black feminist thought consists of specialised knowledge created by African-American women which clarifies a standpoint of and for Black women. In other words, Black feminist thought encompasses theoretical interpretations of Black women's reality by those who live it.
We’ve gone through the names—Negro, African American, African, Black. For me that’s an indication of a people still trying to find their identity. Who determines what is black?
In America one drop of black ancestry makes you black. In Brazil, it's almost as if one drop of white ancestry makes you white.
In America one drop of black ancestry makes you black.
America has never had a very wide vocabulary for miscegenation. We say we like diversity, but we don't like the idea that our Hispanic neighbor is going to marry our daughter. America has nothing like the Spanish vocabulary for miscegenation. Mulatto, mestizo, Creole - these Spanish and French terms suggest, by their use, that miscegenation is a fact of life. America has only black and white. In eighteenth-century America, if you had any drop of African blood in you, you were black.
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