A Quote by Keith Haring

Art is nothing if you don't reach every segment of the people. — © Keith Haring
Art is nothing if you don't reach every segment of the people.
Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories - and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
Black people are the only segment in American society that is defined by its weakest elements. Every other segment is defined by its highest achievement. We have to turn that around.
Navalny is doing a very important thing in his segment of society. Gudkov is a doing a very important thing in his segment of society. Yabloko, or more accurately, some of the leaders of the Yabloko party, are doing a very important job in their segment of the population, people such as Schlosberg. And our organization Open Russia is also doing important work with its segment of society, because those people who are focused on us, our segment, they're not part of those other segments.
I have noticed in every campaign that I have fought-that there is a key segment of time, somewhere between 13 and 15 minutes in which the battle is won or lost. I focus on that segment of time, and I win.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
Art can heal it if art is allowed to exist. And if art is slowly wiped off the face of the planet, then what tools do we have to reach people, to appeal to them and all of their senses?
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
There is a segment of people who like me and I am very happy to get the love and support from them. There is some segment which doesn't like me and that is okay.
With social media, one can target the audience and reach out to the segment in a very precise, cost-effective manner.
There is nothing more dangerous than to build a society with a large segment of people in that society who feel that they have no stake in it; who feel that that have nothing to lose. People who have stake in their society, protect that society, but when they don't have it, they unconsciously want to destroy it.
Culture' is a finite segment of the meaningless infinity of the world process, a segment on which human beings confer meaning and significance.
'Culture' is a finite segment of the meaningless infinity of the world process, a segment on which human beings confer meaning and significance.
I thought, you know, I can sit at home in my La-Z-Boy, on Facebook, and reach more people than I can on a tour. Because I reach 30,000 to 40,000 people for every Facebook post, some even reach 50,000 to 60,000. And I thought, if it's about reaching people, and not about making money, why bother touring?
Every segment of our population, and every individual, has a right to expect from his government a fair deal.
All art is propaganda. ... The only difference is the kind of propaganda. Since art is essential for human life, it can't just belong to the few. Art is the universal language, and it belongs to all mankind. All painters have been propagandists or else they have not been painters. ... Every artist who has been worth anything in art has been such a propagandist. ... Every strong artist has been a propagandist. I want to be a propagandist and I want to be nothing else. ... I want to use my art as a weapon.
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