I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
With Jorginho it depends what type of football you want to play. If you want to play possession where you have the ball all the time and you play a lot of passes, there are not many as good as him around. If you ask Jorginho to cover 50 metres of pitch in width and get all the balls back, it's going to be difficult.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
If I worry about what everybody is saying, there is going to be a lot on my mind. I don't want that. I want to do everything I can to play basebal.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
We play the music we want to play and we play the places we want to play. I'd hate to be on the usual record company where you get an album out and you do a tour, and you do all the Odeon's and all the this that and the others. I couldn't just do that at all.
Players want to play a lot of rugby. We're walking contradictions at times in that we want to play a lot of rugby, but we don't want to play too much rugby, and we want to be available for all the big games, yet there are times when you have to sacrifice that because of game limits.
You don't want to play in League One and League Two pitches - you want to play on a massive pitch in the Olympic Stadium with beautiful grass.
I look at it as a challenge, ... I'm not going to put too much added pressure on myself. I want to play in the NHL, and after that [happens], I can worry about things beyond that.
It's fun to play characters with a past, but it's also fun to play any role that is what I would call a 'pressure cooker' kind of character, where the lid is on, and it's left to simmer throughout the movie.
I don't want to talk too much about the nitty-gritty of writing. It's rather like a pressure cooker with a certain amount of pressure in it - the more you let out, the less you cook.
I'm a Major League 3rd Baseman. If you want to go play in parking lot, I'm suppose to stop the ball.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
If you have music you want to play that no one asks you to play, you have to go out and find where you can play it. It's called do or die.
I don't want to play on the grandstand. I want to play on the stadium.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.