A Quote by Kelly Cutrone
You could be jealous of a girl who's not as pretty as you, but you just have that feeling that she's going to take your dude, and you might be right. Or you might be jealous of somebody who's not as good at their job as you, but you have this feeling that she's got that something extra that's going to help her move ahead. Whatever it is, you might have that weird feeling, and you might be right.
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I was living in Bangkok and I had a girlfriend during this time, she was traveling and I was jealous. Y'know, I thought she might meet someone, might do something, and I was just worried, and I went and I wrote 'Nevermind.'
If a woman isn't feeling sexual with herself, she won't respond to advances from any partner, male or female. When this woman goes dancing, she's finding a connection with her own erotic self. It might be about being on a dance floor, feeling free, not having to feel at all responsible for anybody else's well-being. For other people, it might be about going on a hike for four days by herself and reconnecting with nature and strength and endurance and beauty.
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
I just didn't feel very good. One day I woke up and I was like: "All right. I'm going to start eating right. I'm going to start working out." I figured it might help me feel a little bit better - even if I was still sick, it might help me move forward with my struggles. I just kind of turned a corner.
I might have lost an acquaintance because of 'Pregnant Women Are Smug.' But we weren't close. Actually, I don't know if the woman knows the song is about her. I have a feeling she might.
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
The typical jobs that a lower-skilled immigration worker might do might be construction work, it might be hospitality work, it might be restaurant work, or might be not working at all and just going onto the welfare system if there isn't a job for that individual.
The problem with my mother is that she didn't go to the doctor. And I think by the time she started to show symptoms that something might not be right, and finally went to the doctor, she was so close to her death that she couldn't get the care she had needed. Her big issue was not going to the doctor.
Kissing can ruin lives. Lips touch sometimes teeth clash. New hunger is born with a throb and caution falls away. A cursed girl with lips still moist from her first kiss might feel suddenly wild like a little monsoon. She might forget her curse just long enough to get careless and let it come true. She might kill everyone she loves.
It's a shame you left without a word, you know. She was just beginning to trust you before that. Before you got angry. Before you ran off. Just like every other man in her life. Lusting after her, full of sweet words, then just walking away. Leaving her alone. Good thing she's used to it by now, isn't it? Otherwise you might have hurt her. Otherwise you just might have broken that poor girl's heart
The pain was as unexpected as a thunderclap in a clear sky. Eddis's chest tightened, as something closed around her heart. A deep breath might have calmed her, but she couldn't draw one. She wondered if she was ill, and she even thought briefly that she might have been poisoned. She felt Attolia reach out and take her hand. To the court it was unexceptional, hardly noticed, but to Eddis it was an anchor, and she held on to it as if to a lifeline. Sounis was looking at her with concern. Her responding smile was artificial.
Girls will probably - if she's a lady - never do the No. 2 around you. If they're not a lady, she might poo. You might ask her, 'What's that smell?' And she'll be like 'I don't know!' But it really might be her. Because it happens.
Every time you are looking for love, and you're making yourself available for love, it may not come in the package that you had dreamed of. It might come in something completely different. You might've thought, "I'm going to be with a tall, dark, and handsome." or "I'm supposed to be with a model woman who looks like she can walk on the runways." But, it might be just a little curvy girl from Oakland!
When Cath's eyes closed, her eyelids stuck. She wanted to open them. She wanted to get a better look at Levi's too-dark eyebrows, she wanted to admire his crazy, vampire hairline--she had a feeling this was never going to happen again and that it might even ruin what was left of her life, so she wanted to open her eyes and bear some witness.
I carefully lifted out of the pose and spoke up: Uh, Fran? When I'm doing the pose (camel), I have this feeling in my chest, kind of a scary, tight feeling.-Fran was adjusting someone across the room. She had a way of looking like a thoughtful seamstress when she made adjustments: an inch let out here, a seam straightened there, and everything would be just right. She might as well have had pins tucked between her lips and a tape measure around her neck. Without missing a beat or looking up she said, Oh, that's fear. Try the pose again.-Fear. I hadn't even known it was there.
When is the last time you were a tourist?” she asked archly. He just looked at her. Charles, she had to agree, was not tourist material. “Right,” Anna told him. “Buck up. You might even enjoy it.” “You might as well have ‘hapless victim’ tattooed across your forehead,” he muttered.
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