A Quote by Kelly Rowland
I remember going to Europe and one makeup artist made me look pink, then she tried to correct it but turned me green! I had to learn how to do my own makeup.
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To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
I take the palette with me, but I have a lot of makeup. I was a makeup artist when I was younger, but I'm not that good compared with my makeup artist, so I keep things pretty simple. I explore a lot with pink and nude lipsticks, but I love red lipsticks. I love a line and a lash and a brow. So I don't need a lot, but I have a lot. It's all there just in case - for Halloween or whatever.
I love strong looks, so to me, no makeup is strong. As long as it makes a statement, that's what I like. The girls look very real, and I'm probably the only makeup artist who will say that I love a woman without makeup.
I am not so bad, actually, at doing my own makeup, so for more low-key events, I'll do my own, but for something like 'Harper's Bazaar' Icons Party, I would definitely get a makeup artist or a hair artist if I had time.
I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
Once the makeup is on, it's a collaborative process but it's pretty neat to have the makeup sort of speak to you when you look in the mirror and see how the face moves. For me, the personality comes through that makeup and that exploration of how it all looks and moves. You try to make it more unique than just a human with a mask on.
My mum had a massive influence on me, not just in what she wore and how she looked, but in her spirit. She was married to one of the most famous men in the world, and she didn't wear any makeup, ever. I mean, have you ever seen the wife of a man like that rock up with no makeup on? Because I haven't since.
I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.
Whenever possible, I try to get a professional to do my makeup, because the idea of putting together a flawless look intimidates me. I like to be open to a makeup artist's ideas on the look they want to create, but I always ask to keep my foundation pretty lightweight and luminescent.
When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.
I've been wearing makeup for as long as I can remember. I started by playing with my mom's lipsticks, then in ballet I would apply my own stage makeup.
My daughter is just as obsessed with playing in my makeup as everyone's daughter is. She paints our walls and herself and clothes and me. So I have to do makeup in 30 seconds or my whole house is covered in my makeup, because she'll just take it and run.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
My mom had me at 16 and took me every place she went. I remember going on peace marches. She tried to take me to Woodstock - it was pouring rain. It was on my birthday, and I was crying so much in the car they turned the car around and dumped me at my grandmother's house... I had a little attitude.
I really don't wear a lot of makeup, but my makeup artist Priscilla Ono has taught me the basics.
If it's something quite low-key then I'll often do my own makeup. But for something like a premiere, it's good to have a makeup artist because they know what they're doing.
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