A Quote by Kelvin Sampson

As an outsider, when you think of Indiana, you think about a place that not only has championships but a championship tradition. — © Kelvin Sampson
As an outsider, when you think of Indiana, you think about a place that not only has championships but a championship tradition.
I came to Indiana for one reason: I think you can win championships at Indiana.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
When you think about Peyton Manning, you think about numbers. When you think about Tom Brady, you think about championships
Honestly, to me, the WWE championship and the Universal championship are the same thing. They're the top championships on the respective brands.
I think if I was Trinidadian, I would latch more on to the myths and romanticise the place more. I don't think it's my place to do that - they're not really mine. I'm an outsider.
I've won midget championships, a junior-league title, two World Junior Championships and some other minor-hockey championships, but I don't think teams win because I'm on them.
I would tell players to relax and never think about what's at stake. Just think about the basketball game. If you start to think about who is going to win the championship, you've lost your focus.
The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing.
When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.
God is not a Christian, God is not a Jew, or a Muslim, or a Hindu, or a Buddhist. All of those are human systems which human beings have created to try to help us walk into the mystery of God. I honor my tradition, I walk through my tradition, but I don't think my tradition defines God, I think it only points me to God.
Well, I mean, to me, I think my ultimate - my ultimate goal is winning championships and - and I understand that me going down as one of the greats will not happen until I, you know, win a championship.
My home is such a powerfully imaginative place that the space is almost irrelevant. I think the house I live at on the Hudson is where I belong because it's the only place where I am that I never think about when I'm leaving.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
I think the approach to Islam as a tradition is helpful. Tradition helps us to focus on questions about authority and temporality, and about the language used in relation to the two.
But I'm after medals more than anything. Championships don't get taken away from you but records do, so I think I'd rather have medals at every championships rather than times. A world record would be a bonus, but I'm still only 25 in 17 days.
This site uses cookies to ensure you get the best experience. More info...
Got it!