A Quote by Ken Hakuta
Speed is vital. You got to strike fast. Fads have short lives, and you got to get what you can - like the case of the Pet Rock.
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Hit them in their personal lives, visit their homes . Actively target U.S. military establishments within the United States... strike hard and fast and retreat in anonymity. Select another location, strike again hard and fast and quickly retreat in anonymity ... Do not get caught. DO NOT GET CAUGHT. Do not get sent to jail. Stay alert, keep active, and keep fighting.
My mom didn't believe in putting chemicals in hair. But when I got to college, we didn't have A/C in our dorms freshman year. So after several days of waking up looking like a Chia Pet, I was like 'OK, I'm gonna get a perm.' And then my hair revolted and fell out. I was over that quick, fast and in a hurry.
There was a gas strike, oil strike, lorry strike, bread strike, got to be a Superman to survive.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
Short track is like metal rock. You kind of always got to be on your toes.
People with film careers get a whole onslaught of people they spend 12 hours a day with every three months. It's like speed dating. You've got a fast-track to social intimacy with a whole bunch of people.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
You've got to sing like you don't need the money. You've got to love like you'll never get hurt. You've got to dance like there's nobody watching. You've got to come from the heart, if you want it to work.
I always wanted to do a record called, 'The Three J's,' because you got me, Jay Rock, you got J. Cole, and you got Jay Z. I thought that it would be dope. I said, if I couldn't get Jay Z, we'll get Jay Electronica.
Ive got to get my real skills up; like, I got to get my skills up, cause in case of a crazy catastrophe, I might have to learn how to swim.
I've got to get my real skills up; like, I got to get my skills up, 'cause in case of a crazy catastrophe, I might have to learn how to swim.
White people get nervous and speed things up. You don't have to be in a hurry because you ain't got nothing to gain and you ain't got nothin' to lose. And that's where the groove lies.
I don't think there's anything that I would really baulk at doing on-screen. I don't think so. I've got certain pet peeves about writing... my pet peeve about reading scripts is when they give you a line reading and there'll be a line but next to your character's name it'll say 'very angry'. But I'm like: "Well, I'll decide that actually!" So, there's little things like that. That's a slight pet peeve.
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
I'm tall for the weight class. I am built to go in and stand in front of the man and trade bombs - why would I do that? I've got length, I've got reach, I've got speed; I've got footwork and defense, but that's not what's going to be the difference in this fight. It's not a tall guy versus a short guy - It's Chris Algieri versus Manny Pacquiao. It's what I bring to the table versus what he brings to the table. I think a lot of it has to do with my mental preparation and mind going into this fight as well as what we know from Manny.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
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