A Quote by Ken Jennings
People are using GPS systems to find millions of little hidden objects throughout the world - often as simple as a piece of Tupperware hidden in the woods. You go to a website, you get the latitude and longitude to get the specific location of a certain specific hiding space, and then you go there and see if you can find it.
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I begin each day with holy Mass, receiving Jesus hidden under the appearance of a simple piece of bread. Then I go out into the streets and I find the same Jesus hidden in the dying destitute, the AIDS patients, the lepers, the abandoned children, the hungry, and the homeless. It's the same Jesus.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
You have tours that go to certain parts of the world to see a specific type of bird, and then you come back to Hollywood, and you see tour vans that go around in hopes of catching a glimpse of Halle Berry going out to get a newspaper.
I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
If I have the same plan to go into the streets, find random strangers, use art-historical referent from their - from the specific location, to use decorative patterns from this location, that's a rule. That's a set of patterns that you can apply to all societies. But what gives rise or what comes out of each experiment is so radically different.
The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
Oslo is a city with a hidden beauty that I wanted to explore and find out if it was possible to capture the specific feeling of bicycling home from a party early in the morning just as the sun is coming up.
People say they 'find' love, as if it were an object hidden by a rock. But love takes many forms, and it is never the same for any man and woman. What people find then is a certain love. And [he] found a certain love with [her], a grateful love, a deep but quiet love, one that he knew, above all else, was irreplaceable.
I think if a young person is passionate about something specific, he or she should follow their passion. You look at Bill Gates or Steve Jobs, all of these successes in Silicon Valley, these people have had passion in a specific area and have therefore succeeded. College isn't for everyone. If you don't have that passion or that specific focus in mind, I believe you should go to university and get an education.
In every bed you will find four persons sleeping together. It is very rare to find a double bed, because then four persons are there overcrowding it. The wife is there and the ego, and the husband is there and the ego - husband is hidden behind his ego, wife is hidden behind her ego, and those two egos go on making love. The real contact never happens.
People with a scarcity mentality think there is only so much in the world to go around. It's as if they see life as a pie. When another person gets a big piece, then they get less. Such people are always trying to get even, to pull others down to their level so they can get an equal or even bigger piece of the pie.
My job is to find the stories, find where to go, do the research, do the logistics, be there on location, and do as much as possible to get the footage that we need to make an incredible film.
What dark secrets do you keep hidden from the world? Where would you go if no one could find you? What would you do if no one could see you?
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.
We're very specific when we're drawing work plans. We think about the chances of when a person gets off the elevator where they will go. We think about how people get to a coffee machine, when they go and get their lunch, when they go to the bathroom.
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