A Quote by Kenneth Branagh
The long version of the play is actually an easier version to follow. In all of the cut versions the intense speeches are cut too close together for the audience and the actors.
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Usually you always see first cut is an extended version, because it's basically everything you shot, and you have that version and then you start cutting stuff out.
I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best.
But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.
Volunteering has been undervalued in Britain for a long time. Often it has been seen as a kind of cut-price, amateur version of work that would be better done by the state. When politicians speak about it, people hear in the background the sound of budgets being cut.
There are two versions to every poem – the crying version and the straight version
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Definitely my favorite cut is the one that got put out. That's my favorite version of the film, the one that I put in theaters. That's my directors cut, there's no question about it.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven’t got a long-term plan, then you are merely a passing phase, the latest trend, yesterday’s event.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven't got a long-term plan, then you are merely a passing phase, the latest trend, yesterday's event.
As long as we depend on other women for self-esteem, using them as bad examples or fantasy versions - special, powerful - of ourselves, they remain stuck in a narcissistic version of themselves, too.
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
Ultraconservatism is, to me, so illogical. Everywhere you go, conservatives want to cut, cut, cut, cut - cut money for powerless people. So, that's the biggest problem I have with them.
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.
Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film.
I watched the Telugu version of 'Pokkiri' several times. Of course, I wielded the megaphone for the Tamil version. The script is very close to my heart.
Reality has been so politicized such that people truly believe, mostly, that there are two versions of reality: a conservative and a liberal version. In my mind, there's only one version of reality and then those who lie about it. Much as in a court of law.
I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
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