A Quote by Kentavious Caldwell-Pope

I feel like the criticism and bad stuff don't come unless I'm playing bad. — © Kentavious Caldwell-Pope
I feel like the criticism and bad stuff don't come unless I'm playing bad.
A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
I really enjoy being with the people I play with. I enjoy their company. I love the crew, the band - we just move through the country like an army. I always feel very grateful to be up there. There aren't any bad nights anymore unless I'm singing bad, but then the band will carry me. And if they're playing bad, I will carry them..
You try to shut the criticism out, but it's pretty hard to do. You see people on the street, friends, people that you know are in your corner, and they come and tell you how bad they feel, and that's not the kind of conversation you want. I don't want anyone to feel bad for me.
You can have a couple of games where you play bad or very good. I think I'm a type of player that days before I know how I feel, if I'm playing good, if I'm playing bad. This is not like lottery here.
It is one thing being scrutinised for playing a bad shot as a batsman or bowling a bad spell as a bowler, but the captaincy adds an extra dimension. The criticism is slightly harder to take.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
During my playing days, when I used to see the repeat telecast of my matches, I used to feel bad on hearing criticism of my game by the commentators.
I feel like a lot of people in sports come from - not bad backgrounds, but they have a real story. They've come from some of the hardest times, and they're out there playing for their family and the first thing they want to do is buy their parents a house and everything.
If you don't feel bad when you play bad, you don't need to be playing this game. That's the feeling that drives you to success.
It's so weird, like, it's not like Gamergate is the only bad thing to happen to me. I've been homeless before, I've had to come through other stuff. A profoundly abusive childhood, but at least that stuff feels like I got to move on from it, that stuff is in the past.
I want to see these bad, bad, bad, bad men come to grips with their humanity.
There's a roller coaster effect when you're playing good. Everything seems to go your way. But once you start playing bad, you're playing bad.
When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
Criticism is a surreal state, like a good drug gone bad. When it's bad you wish it would stop, and when it's good, you can't get enough.
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