A Quote by Keri Russell
I wouldn't say that my experience making it [the Waitress] was necessarily uplifting, but watching it with an audience, I was surprised at how hopeful it was at the end.
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That's interesting to hear you say that because watching it [the Waitress] for the first time at Sundance was fascinating - it was so different from the experience of making it.
We've always had this experience that things take long, but I'm 100% convinced that our principles will in the end prevail. No one knew how the Cold War would end at the time, but it did end. This is within our living experience... I'm surprised at how fainthearted we sometimes are and how quickly we lose courage.
I go to see my kids in school plays, ... I watched Lorna in a concert at the Westminster College of Music the other day and it was amazing. I felt very proud and surprised. I don't know why I was surprised, because I've known her for 17 years, but I've never seen her do anything like that in front of an audience. It's brave, it's uplifting.
The experience of making a movie is far removed from watching the end result. It's exciting, but it still makes me squirm.
I remember watching movies like 'Fatal Attraction' and watching the audience go bananas at the end of the film.
Despite the absurdity and the silliness and the triviality of the entire campaign experience, there is also something, as non-cynical as this sounds, kind of uplifting and strange about watching democracy unfold.
I was a waitress for six years in New York. I actually got fascinated to see how fast and how good a waitress I could be. I was doing it, so I tried to do it as well as I could.
One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
...it is appropriate to have an over representation of factual presentations on how dangerous it is, as a predicate for opening up the audience to listen to what the solutions are, and how hopeful it is that we are going to solve this crisis.
I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.
You see the world, you end up in jail three or four times, you accumulate experience. And it gives you something to say. If you don't have anything to say then you shouldn't be making films. It's nothing to do with what lens you're using.
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