A Quote by Kesha Rogers

One of the most beautiful things that recruited me to join the LaRouche movement is its emphasis on Classical singing and composition, especially with the Negro Spirituals, adding a new depth of profundity to songs I had sang while growing up.
Do you know most of the Jewish songs have the same trend of sadness as Negro spirituals?
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
I started singing when I was a little kid. I was about nine when we had a group with my four brothers. We sang spirituals. The old regular thing.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
My mind was so geared towards being a performing artist, singing all these classical pieces, but the sense of loneliness I got when I moved from New York to El Paso meant that writing turned into singing. I'd sing all these songs, and they'd make me feel better. Songs that crafted the way my life was going to go.
I played piano growing up. I played classical piano since I was 5, and I sang in choirs, and I sang in plays and musicals.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
She sang a lot of songs. 'The Bear Went Over the Mountain' and things like that. But the one she was really good at singing was 'I Found a Peanut.' Now I know why she sang that so many times.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
For me, the most gratifying part in touring is singing the songs that I know tmy fans love, it's those moments when they put their hands up and their heads down that you know that you have hit a nerve. It's those moments when the people in the audience say "sang". It's those moments that I'd listen to growing up, even on Donny Hathaway live, where the people were speaking to my Dad at the Troubadour and I used to wonder, 'wow, what are they talking about?' There's an electricity that cannot be rivaled when you are creating for people live and in real time.
When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
I couldn't resist. I went over and joined in, and we just sang the song together, ... They had no idea that I had written it, or who I was. I was just some weird guy who wanted to join in on the singing.
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