A Quote by Kevin Gates
I just always wanted to study human behavior because every psychologist that I would talk to would tell me I was bipolar, and I know I'm not bipolar, so I had to perform a psychoanalysis on myself to find out that I have unresolved grief.
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Where would the memoir be without bipolar writers? I mean, that's what - that whole oversharing thing is really a very clear symptom of bipolar disorder. And I'm not saying that every, you know, I'm not accusing every memoirist of being bipolar. But I think in a way it's kind of a gift.
I don't want to be caught ... ashamed of anything. And because generally someone who has bipolar doesn't have just bipolar, they have bipolar, and they have a life and a job and a kid and a hat and parents, so its not your overriding identity, it's just something that you have, but not the only thing - even if it's quite a big thing.
I learned that I suffered from bipolar II disorder, a less serious variant of bipolar I, which was once known as manic depression. The information was naturally frightening; up to 1 in 5 people with bipolar disorder will commit suicide, and rates may even be higher for those suffering from bipolar II.
I would love to be a field biologist. I would love to do what Jane Goodall did, just totally immerse myself in the life of one specific species for years and study every aspect of its behavior until little by little, all of these patterns become clear. That would be great, but I don't know if I have it left in me.
When I was diagnosed, I believed my illness would be my great, lifelong weakness. Bipolar disorder was to be my impenetrable prison, and I would be locked up with it in a castle Princess Toadstool style. Thinking there was no way out, I let it consume me.
When I was 15, and I just stepped on the A-team, I believed in myself, but I wasn't cocky in any way. I just wanted something so badly that I could tell people around me that were ten years older that they had to play and perform. I would still say that I had respect.
Because I teach and write about depression and bipolar illness, I am often asked what is the most important factor in treating bipolar disorder. My answer is competence. Empathy is important, but competence is essential.
I always encourage people who had a loss of any kind that you find something to focus on that takes you out of that horrific sorrow. And you have to go through it. No way out but through in the grief. But don't remain in the grief. You know, find something that you can nurture as you would that being that you loved.
For bipolar in adults, I think there's pretty good agreement about what this looks like. For bipolar in children, there is some considerable debate about where are the boundaries. At the mild end, are these just kids who are active? Is this the class clown at the very severe - is this something other than a mood disorder?
I always wanted to be an actor. It's something I always secretly wanted. You know, I had the experience of being picked on as a child, and I would tell people, 'You're gonna be sorry when I'm famous!' And then I learned after they kicked the stuffing out me that you don't say that out loud.
Bipolar depression really got my life off track, but today I'm proud to say I am living proof that someone can live, love, and be well with bipolar disorder when they get the education, support and treatment they need.
I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.
I had been a hurricane all my life. And that was, of course, because I was bipolar and did not know it. And I was - you know, the mania took control. When you're on stage and when you're performing, you're heightened, and it's an extreme.
I have to try to watch myself and give myself feedback. People would take for granted that I was ready to go right away. And I would say, "No, no, no, no, I actually have to go talk to myself." Because I need to just take a minute to think about what just happened and tell myself what to do in the next take, so just give me two minutes to go be a director.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I had cut myself off from everyone. I didn't come out of my room, forget stepping out of the house. I had a beard, and I didn't get a haircut for months. For someone who has performed in front of a crowd of 20,000, I was scared of facing 4-5 people. That's what bipolar disorder does to you.
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