A Quote by Kevin Kline

I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier. — © Kevin Kline
I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier.
There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
If I learned to play guitar it was so that I would have something to sing to, if I learned to write a song it was so that I would have something to sing. So the gut feeling you're talking about comes from singing and communicating the lyrics and what it is that we feel.
I feel like I was always singing. Since I could speak, I could sing. It came very naturally. In school, I was always singing in choruses and choirs. I always loved to sing; it was something to fun to do.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.
When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
I still sing, but completely for my own pleasure. I play a nightclub singer in 'Sparkle,' but I'd like to pursue it a bit more. I sang at a friend's 60th at Claridge's the other month; I did 'Baby It's Cold Outside' with the actor Hilton McRae, and 'Somewhere Over the Rainbow.'
Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
I love to sing and play the piano. As a child, I've always loved to sing my heart out, and even my teachers encouraged me to take up singing.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
Nightclub City tells the behind-the-scenes story of Manhattan's glamorous nightlife at its peak. Packed with colorful characters, terrific original research, and an unusually accessible writing style, Nightclub City is a gritty social history of America's most glitzy fantasies.
It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
I'm very soulful. I grew up singing in church. When I sing a song, I like to feel what I'm singing.
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