A Quote by Kevin Sessums

I had no administrative function at the New Yorker. I am what we used to call in construction back in Kansas City where I grew up "a dog-ass subcontractor." — © Kevin Sessums
I had no administrative function at the New Yorker. I am what we used to call in construction back in Kansas City where I grew up "a dog-ass subcontractor."
I grew up in New York City - I grew up surrounded by every sound that you imagine can come from a New Yorker. All of the different boroughs and all of the different sounds.
Like every other place, I guess, Kansas City was quite a different city when I was a youngster there. They had quite a few clubs, and we had what we used to call jam sessions every night.
I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!
Like every New Yorker, I have a love/hate relationship with the city. There are times it's overbearing, but when I'm away even for a little while, I can't wait to get home. I am a New Yorker.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I'm not a New Yorker. I grew up in Detroit. A lot of people think it's one big city but they're completely different.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
I grew up in Chelsea on 22nd Street... I am really a native New Yorker.
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
I grew up in a house that was constantly under construction. It's been under construction my whole life. My mom loves interior decor, and my dad loves construction - he loves demolition and building new walls.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
I grew up in New York City. We used to diss Long Island and Jersey. Every big city has its own suburb like that.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.
I grew up in Kansas City. I got here when I just turned 21.
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