A Quote by Kiefer Sutherland
When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.
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My dad abandoned me when I was about two years old. So, he wasn't around to protect me the way I needed to be protected. I started getting sexually abused from the time I was about five years old to the time I was ten. It really messed with my sense of self worth and my sense of all that was good with the world, almost.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
In general, working on a horror movie is no different than working on any movie. Turn the camera around and there's 20, 30 people standing around, eating doughnuts, smoking cigarettes between takes, working, like any other set.
When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
I had my baby around 20 and I was always working on music, but I was always working on music, but I was doing other stuff as well.
I'm not just working for myself anymore. I'm working for my kid as well, someone who's actually looking up to me on a whole other level than the younger generation.
Every day I wake up, and I think about the wear and tear on my body, and will I be able to continue to perform at a high level. Sometimes I'm working with guys that are 15 years younger than me, 20 years younger than me.
I started acting at seven years old. It took me 20 years to understand that if I was going to make my dreams a reality, I had to take the reigns. I had to learn something about being productive and being self what's the word I'm looking for? Self-sufficient, but I had to be productive at all costs and I had to make product.
I've primarily worked with actors the same age as me for the past four years, so working with somebody who is 10 years younger than me, you learn a whole different set of skills.
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
When I about six years old, I loved watching '20/20.' I didn't really know what news was at that age, but I liked the storytelling of it.
After working for a while, I realized that acting was only satisfying about 30 percent of what interested me about the filmmaking process. Somewhere around age seventeen, I started to realize that if I'm very particular about the people I work with, then I can have the best sort of master class possible.
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
I started working out and doing martial arts when I was about 4 years old, and I was competing by the time I was five or six. So my mom and dad had me doing push-ups and sit-ups from a very young age.
Twenty or 30 years ago, certainly when my mother was my age, I'm sure she felt things were pretty over for her. You had your kids when you were 20. You brought them up. They left home. Then what do you do? While I feel genuinely optimistic. Well, I have no other choice.
I would have done well as a gypsy child, I think. A circus baby. I coulda played a great street urchin or ragamuffin. Or just been one. I certainly liked entertaining people and making jokes, but I don't know necessarily if that's what your child is prone to that you should necessarily put them in a real working industry at six years old.
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