A Quote by Kim Hunter
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
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I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
If the agent aims to make the attempt if and only if it would be apt, then a distinctive element of risk assessment becomes relevant: How probably would the agent succeed in attempting that fuller end?
I laugh at it now, but one time I had an agent tell me I would never work in TV if I didn't get a nose job. People tell you to change yourself to fit into the L.A. scene, but the advice usually doesn't make any sense. The next agent told me my nose was great!
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
Perth is not industry-heavy, so just figuring out how to get into the industry was tough. Eventually, I found out what a U.S. agent was, and so I got a U.S. agent.
If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!"
In researching literary agents I did what the books tell you to do: I looked at the acknowledgments page of a book that was similar to mine. Happily, that author thanked his agent. I looked up the agent on the web and found out that he not only represented authors writing books similar to mine, but I knew some of his clients! So, I sent in the manuscript, and they decided to represent it.
I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
As I got older, I'd say probably when I got to, like, seventh or eighth grade, I was living in Atlanta, Georgia at the time, and I went for an open call for an agent, a local agent out there, a woman named Joy Purvis, and she ended up picking me up.
I was approached by my agent, who said they were interested in me for 'Mr. Robot'. Then I binge-watched the show, and I was like, 'Uh, I would like this. Show me how I'm gonna fit in there, but yeah, I would love it.'
My agent suggested me to EastEnders casting director, Julia Crampsie, who I already knew. I'm delighted that Julia said, He's not old enough is he?' My agent told her how old I really am and she said Oh'!
Social cognitive theory rejects the dichotomous conception of self as agent and self as object. Acting on the environment and acting on oneself entail shifting the perspective of the same agent rather than reifying different selves regulating each other or transforming the self from agent to object
I guess early on in my Christian walk, you know, people said to me, "Never question God" you know? But actually I just found Him to be such a good Father. He's such a good Father and He spoke to me in amazing ways that I'm sure I never would have learned some of these things on mountaintops, you know? I thought I knew how much he loved me, but then one day He asked me "What do you believe?" And I'm like, "I believe this and this and this and this" you know. I was a very good Christian in all my answers, and then he said, "No, no, what do you believe, Daughter, about how much I love you?"
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