A Quote by Kim Rossmo
In some places - particularly in Asia and Europe - you often see anti-government graffiti, seditious slogans, banners, leaflets, in certain neighbourhoods. The idea is that rather than wait for an explosion to occur from a bomb, it would be useful to gather intelligence on the location of these incidents.
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The idea is to use minor events that are believed to be related to a terrorist organization, so graffiti is one of them, banners and leaflets are others, but also a lot of minor crimes if you can connect them with the group - credit card fraud, thefts - these types of things have been used to support them.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
There aren't many people who say that Europe is a territory, or Asia is a territory - it'd be suicide. And there are even more people in America than in Europe. I think it's strange, really. I basically see it as loads of different places.
War is smaller in scale than in recent memory, but it is far more ambiguous, intractable, and nasty. Money flows more quickly than ever, but it is still somehow manages to gather and puddle in certain places, for certain people rather then others.
When we talk about Orientalist painting, we're talking about painting generally from the seventeenth through the nineteenth century, and some would say even into the twentieth, that allows Europe to look at Africa, Asia Minor, or East Asia in a way that's revelatory but also as a place in which you can empty yourself out. A place in which there is no place. It's an emptiness and a location at once.
You bomb ISIL. You're not trying to bomb innocent people. And that requires intelligence and confidence in our military to be able to develop the kinds of targets that we need. We're already doing Special Forces, who are going to help us gather that intelligence and help advise and assist and train local forces so that they can go after ISIL in areas like Raqqah and Mosul.
It takes a lot of experience of life to see why some relationships last and others do not. But we do not have to wait for a crisis to get an idea of the future of a particular relationship. Our behavior in little every incidents tells us a great deal.
He felt as though his heart were a bomb, a complicated bomb that would result in a simple explosion, wrecking the world without rocking it.
The purest case of an intelligence explosion would be an Artificial Intelligence rewriting its own source code. The key idea is that if you can improve intelligence even a little, the process accelerates. It's a tipping point. Like trying to balance a pen on one end - as soon as it tilts even a little, it quickly falls the rest of the way.
It seems strangely difficult for some to realize that here in Asia is where the Communist conspirators have elected to make their play for global conquest, and that we have joined the issue thus raised on the battlefield; that here we fight Europe's war with arms while the diplomats there still fight it with words; that if we lose the war to communism in Asia the fall of Europe is inevitable, win it and Europe most probably would avoid war and yet preserve freedom. As you pointed out, we must win. There is no substitute for victory.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
Don't wait till you're older, or in some better job than you have now. Don't wait for anything. Don't wait till some magical...idea drops into your lap. That's not where ideas come from. Go looking for an idea and it'll show up. Begin now.
The fact that the Bush administration, and those in Europe who have followed its 9/11-inspired agenda, somehow believe that the future of the world is being played out in the Middle East and Central Asia rather than East Asia has only served to accelerate China's rise and the U.S.'s decline.
For 13 to be unlucky would require there to be some kind of cosmic intelligence that counts things that humans count and that also makes certain things happen on certain dates or in certain places according to whether the number 13 'is involved' or not (whatever 'is involved' might mean).
You can go to places in Africa and Asia and find Marley graffiti. In the slums of Nairobi, you see his lyrics painted on walls, and you realise he has this almost religious significance to the underclass of the world. He's a guy born in a hut with no bed, and now he's probably the most listened-to artist in the world. It's fascinating.
Over the last several quarters we have been growing faster in Asia and Europe than any other place on the planet. We have 18 percent of the global PC share, about 12 percent in Europe, and 8 percent in Asia.
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