A Quote by Kim Shattuck
I've always had something turning in my brain. And it got to a point where I felt it was stupid to let some of the tunes die. So I began putting them down on paper.
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I began by tinkering around with some old tunes I knew. Then, just to try something different, I set to putting some music to the rhythm that I used in jerking ice-cream sodas at the Poodle Dog. I fooled around with the tune more and more until at last, lo and behold, I had completed my first piece of finished music.
I had some problems in the past when I made some stupid mistakes and got some stupid cards, but I learned a lot from this, and I know now how to calm myself down.
I wondered if that's what aging felt like. That desire and reality were dueling until the day you die, that nobody every got to a place of peace. I had always wanted to get old so I didn't have to care anymore, but I began to think that it would be best just to skip the getting older part and just die.
I think that God gave us a brain, and that it's the only thing we have to survive. All life forms have some advantage, some trick, some claw, some camouflage, some poison, some speed, something to help them survive. We've got a brain. Therefore it's our duty to use our brain.
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.
I had a standup act, and I ended up turning it into something that was really watered down and accessible. Something that went from scary and threatening to something that was almost to the point of being corny.
So are you turning out like them? Do you still write and draw?" "yeah, but I don't do anything personnal or profound. My parents take life way to seriousely. I lke to make people laugh. I had a regular cartoon feature in the school news paper and created some for the year book. Social satire stuff. I've done a couple of political cartoons for wisteria's paper and just got one accepted in Easton's, which has a much bigger circulation. Impressed?
Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.
I have never examined the subject of humor until now. I am surprised to find how much ground it covers. I have got its divisions and frontiers down on a piece of paper. I find it defined as a production of the brain, as the power of the brain to produce something humorous, and the capacity of percieving humor.
It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.
I felt a funeral in my brain, and mourners to and fro kept treading, treading till I felt that sense was breaking through. And when they all were seated, a service, like a drum, kept beating, beating, till I felt my mind was going numb. And then I heard them lift a box and creak across my soul with those same boots of lead again, then space began to toll, as if the heavens were a bell and being were an ear, and I, and silence, some strange race wrecked, solitary, here. Just then, a plank in reason broke, and I fell down and down and hit a world at every plunge, and finished knowing then.
I began playing at the age of six, but at that point, I had little idea of cricket; forget the talent part. It's around the age of 10-11, when more people around me began talking of my skills, that I felt maybe I could go on to do something.
I think that perhaps if I had had to slow down the ideas so that I could capture them on paper I might have stifled some of them.
I think I had the smallest handle around. When I got my bats, I even trimmed them down. I used to scrape them. Some years later when I started getting older, I used to start with a 33 and in the summer it got down to 31 and then probably in September got down to 30.
At the time, liberals didn't understand that they had First Amendment rights. So, I was doing cartoons in this narrative cartoon form about subject surrounding that and as I was turned down by editor after editor at each publishing house, I began to notice on their desks this new newspaper called The Village Voice, which I then went and picked up and thought, well my god, these editors that were turning me down all, whom tell me how much they like my stuff, but they don't know how to market it because nobody knows who I am. If I got into this paper, they would know who I am.
Like most lit nerds, I'm a voracious reader. I never got enough poetry under my belt growing up but I do read it - some of my favorites, Gina Franco and Angela Shaw and Cornelius Eady and Kevin Young, remind me daily that unless the words sing and dance, what's the use of putting them down on paper.
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