A Quote by Kim Shattuck
I had heard a live show, where my voice didn't sound the way I wanted to hear it and I got paranoid. I'm not an amazing singer, I just belt it out in this crappy old way, but for a while I had it in my head that I couldn't sing.
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They were so good that you just had to sing the song to them once and they got it. It's amazing. Sometimes it didn't come out the way you wanted, but it was good.
My voice is my gift. And Pops had me using it in the right way. I had many offers to sing pop, to sing rhythm and blues. Pops said "Mavis, this record company want to give you a million dollars." I said, "No daddy, I want to sing with the family." And I did. I never wanted to branch out by myself. But I've had to now. It's my mission. I've been left here to do it. And I'm grateful.
I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.
If family and society tell you its unfeminine, not really womanly, to be aggressive, to speak up, to have strong opinions, to take up space, then women won't trust their own voice, because to be heard and to be influential, you've got to have a way to sing out with passion and love and self-trust - to sing out your song for everyone to hear.
I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.
I just wanted to sing, to get my voice heard. I knew I had to do everything possible to stay in the industry.
But I liked you from the moment I first heard your voice,” he said, “when I had no idea what you looked like. I thought it delicious, the way you bargained for me, as though I were an old rug. Then I loved the way you looked at me. Then I loved the way you ordered me about. I loved your patient and impatient ways of explaining things to me. I love the sound of your voice and the way you move. I love your courage and your kindness and your generosity and your obstinacy and your passion.” He paused. “You’re the genius. What do you think that means?
If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.
Unless you use the vocoder the way Daft Punk use it, it is very limited. When they sing it's almost human. It sounds sexy. I just used it as an effect. It wasn't because I was not able to sing; I'm not a great singer, but I had some hits as a singer, too. It's a nice effect.
When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.
With all the hurts they've been through, they find a loving way and a way to put their mind on something greater. That's what makes a good artist, a good singer: because you can hear the hurt in their voice, and you can hear the love in their voice.
I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.
It’s wonderful, it’s expressive. It’s a way of using a part of my instrument that I’m comfortable and familiar with. The voice is such a vital part of crafting a character. I’m so pleased that I have the kind of voice that prints well and that people want to hear. I’ve had friends actually say, ‘You know, I was in the kitchen, and the television was on and I heard you.’ I love hearing that there’s something familiar about my sound, and that to some people it’s soothing.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
It was hard to sing like how I wanted to because playing live I had to just be at the top of my lungs all the time, and it made me sound like I had a really bad cold or something.
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