A Quote by Kid Ink

I think people think that labels can get you features more than you can get your own. I just doesn't work like that. — © Kid Ink
I think people think that labels can get you features more than you can get your own. I just doesn't work like that.
I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
Trying your best not to get stressed out, the hardest part is not to get down, not to let the business get to you. I think the business is more mental than it is talent. I think you can have the talent, but if you don't have it up here, I think you can easily just break down.
It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.
I think as more people get more aware, people get more defensive. And when I say that, I mean people who are more privileged, like men. People will think that by pointing out patriarchy and an oppression, that means that all men are horrible people, and they'll write that on social media, and I think that's something that's increased.
Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
What it means to be a man is to take on all the emotional pain and work through what you got to work through with the people you love while at the same time getting your business done. And it's tough. I think that most children when they grow up they kind of realize that the things they didn't like about their parents or didn't understand about them they get now and that you know every year you get more responsibilities. You get more overhead. You get more things you got to take care off.
But I think it’s important to discuss just how easy it is for any of us to get caught up in things that might seem unthinkable—to get sucked into the wrong environment and make moral compromises that can tarnish us terribly. We like to think that we change our environment, but the truth is that it changes us. So we have to be extraordinarily careful to choose the right environment—to work with, and even socialize with, the right people. Ideally, we should stick close to people who are better than us so that we can become more like them.
I probably should have a brand, but I think you can't get the best artists to work for you if you're branded. I get the trade-off, and I really would like to be more famous for my work, get more credit for my achievements.
I want to make sense of things, to understand the world, but my work is never really instructional. I have no wisdom to impart or give, so I think my dream readers would be people who just use the book as an excuse to get into their own cycle of thoughts. The book is just like a map. It's just a jotting-down of things that you can interpret in your own ways.
We see a lot of feature-driven product design in which the cost of features is not properly accounted. Features can have a negative value to customers because they make the products more difficult to understand and use. We are finding that people like products that just work. It turns out that designs that just work are much harder to produce that designs that assemble long lists of features.
I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.
I would prefer a society where we don't have to explain ourselves. But I get that many people just need those labels to understand it. And if I make my situation or beliefs more understandable by putting labels on it, I'm happy to do it.
I think that that's important as a fledgling creator to generate your own work because it's hard to get people to hire you for a myriad of reasons. You have to be able to generate your own work and show that it has legs and that it's viable.
With confidence, I think anyone can get a dress and make it their own. I don't think you should have it off the runway and wear it like they want you to wear it. You know, with their hair and makeup - their woman. I just think it's boring. You have to make it your own. That's what fashion is all about.
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