A Quote by Kirsten Dunst

People always tell me, Don’t work so much, but I can’t help it. I feel like all the things I’ve done are important to get to this adult stage now and now I’m getting all these adult offers, so it’s working.
People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.
When I was very young, I didn't talk a lot. If an adult was speaking, I was listening. I think it was the moment I turned 18 when I was like, 'I'm an adult now and have opinions and things to say, so now it's time for people to listen to me.'
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
The older I get, the younger I feel. Growing up, I was always the kid, but I spoke like an adult and was in adult roles. I didn't feel like a kid. The older I get, I actually feel younger! Which is good. I always thought when you get older, you'll want to slow down, but I want to do even more.
There's a sort of sibling moratorium when you're establishing yourself as an adult. So much of your energy has to be focused on other things like work and kids. But when people become more settled, siblings tend to regroup because now you're building a new extended family.
I always looked forward to being an adult, because I thought the adult world was, well—adult. That adults weren’t cliquey or nasty, that the whole notion of being cool, or in, or popular would case to be the arbiter of all things social, but I was beginning to realize that the adult world was as nonsensically brutal and socially perilous as the kingdom of childhood.
Forty is the line of demarcation that says you're an adult now. You're an adult, so don't pretend you're a kid anymore.
When you're young, you're always wondering when you're actually going to feel like a grownup. And I think you probably fear it, in a sense, too. There's a danger to feeling like an adult... like this whimsical kid in you is going to die or something. And then all of a sudden, one day you kind of feel like an adult and it's really nice.
Acting like an adult and being professional on set and getting my work done has just been a lifestyle for me. It's not something I have to try hard to do, necessarily.
I sometimes think about adult skating and how, you know, people like Midori Ito, she competed at the adult world championships. I feel like I'll probably be someone like that.
I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.
I was a cocky kid, and I felt like I was an adult at, like, 9. I think that's because my parents always treated me as an adult.
I'm excited about turning 40. I've been an adult for a long time, but there is a difference between being an adult and being a grown-up. I'm someone's mummy now and I'm enjoying that. I feel as if I'm about to hit my peak.
When I started out doing comedy, I was still in college and was working day jobs. I taught preschool for a few years. And then I got more into freelance writing. So stand-up has always been my primary independent creative mode of expression. I've done it my whole adult and young adult life.
I feel more confident and like I have more to say. I feel like I'm working more than ever, not just from fantasy, but actual experience. I'm an adult now - I actually have experience.
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