A Quote by Kirsten Dunst

I mean look at Antichrist. He's not making films to be liked by everyone, so why is this so surprising coming from Lars von Trier? — © Kirsten Dunst
I mean look at Antichrist. He's not making films to be liked by everyone, so why is this so surprising coming from Lars von Trier?
If you asked an 18-year-old what they want to do with their life, and the options are 'Transformers' or Lars von Trier, he's probably shipping out for 'Transformers.' If you ask a 26-year-old what he wants to do, 'Transformers' or Lars von Trier, he'd probably pick Lars von Trier. So, my sensibilities are changing as I change.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
It rarely happens that I get to work again with the same director. I had such a wonderful time on Antichrist with Lars von Trier, that I was going to do whatever he proposed me to do. When he sent me the script of Christmas, I just loved it. I think I love anything he writes.
The Danish filmmakers are a unique breed of filmmakers, with the Dogme films and Lars von Trier.
I've worked with Lars von Trier on many films, and there's always a female character that's like an open wound - everything just pours out of this person.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'
I think you either get along with Lars [von Trier] or you really don't and I really got along with him. I wasn't scared because I talked to Bryce Dallas Howard about Lars.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I would amputate my toes to work with Lars von Trier again.
Lars von Trier is a very good storyteller. He's like an H. C. Andersen for adults.
Lars Von Trier is a genius. Every film he makes is so honest and powerful.
Lars von Trier is not not somebody who is known for conducting a normal press conference ever!
I love working with Lars [von Trier]! I've worked with him three times. I did the narration of Dogville and Manderlay.
This site uses cookies to ensure you get the best experience. More info...
Got it!