A Quote by Klaus Nomi
I go on stage and people like what I look like; as soon as I'm outside I feel like I have to hide, because people laugh at me, because of the way I look. Now, I use this look, it works for me, I even exaggerate it. I used to hide my large forehead, but now I'm selling it.
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Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
I feel like I've started to create my own culture of being a voice for something, and that's what people want to know about. I love that because I am a woman and because I a rap, and I look the way I look, I can connect with the demographic of people who feel like they have a voice in me.
I don't look like a fighter. I like it, though, because it just allows me to be in the position I am now, to where I can venture out to wherever I want to go. I can go into acting. I can go into this; I can go different ways now. And because of fighting, I can do that.
It's great for the little girls coming through the system now to have women to look up to because, when I was younger, my role models were more, like, Michael Owen and players from the men's team, but I get kids messaging me now saying they look up to me, and that's really touching for me, but it's great for the kids to have people to look up to.
I grew up in Flint, Michigan so I'm used to broken promises so I don't look forward to anything. I look forward to the now. I don't even like planning trips more than a week ahead because you don't know how you're going to feel a week from now.
You search for images and stories and movies and music from people that look like you and sound like you and speak like you because you want to feel like, 'Oh, if they can do it, so can I.' There's a little bit of that need for validation, especially when you're younger and trying to look to someone to look up to.
When I got to the stage, it was like a release, you know what I mean? Because it was like, 'Oh, people like me. People like me. They're listening to what I have to say. They're not judging me on how I look; they're judging me on what I'm saying.' So to me, that's what's worth it, and that's what comedians have.
For me to be the first African-born WWE Champion is incredible because now, people who look like myself can look at TV and see on WWE television that anything is possible because I'm doing it.
There's a happiness about me, a confidence and a happiness now that I didn't have when I was younger. You feel good inside, you look good outside. I have a few little gray hairs on my chin, and I kind of like them. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
I can't speak for everybody, but sometimes, people get in this showbiz game and they get the money, but then they forget why they got in the game in the first place. I don't even look at it as fame, I just look at it as me being me, and me going out here everyday and being productive, because I am the product, and I'm selling myself. I'm selling my ambition and my integrity and my adversity, and I'd just like to be that.
I go into it with the attitude that I'm not going to look at my leg, and as soon as they get the wrapping off of it, I'm like, 'I've got to look.' It's like yelling at a dog going, 'Squirrel!' I cannot not look. And then I spend the rest of the time sitting there with a wet washcloth on my forehead trying to regain consciousness.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
The theater used to be a place where you look like a human being. Now people look like they just got out of bed.
I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
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