A Quote by Herb Ritts

I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
I like to be on my own when I look at my contact sheets, because I'm often disappointed... But as years go by we become proud of our old contact sheets. They are a tool that allows us to fight against time.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
There are so many people that don't come in contact with black men. Whether they live in a homogeneous area that's mostly white or whether they live in places where they don't have to come in contact with them. So what kind of contact do they have with African-American males? They have the media, and that's it.
Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.
Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.
Life is too short to waste time changing the sheets every week. Especially when you have small children who tend to wait until you change the sheets to then wet the sheets.
As for the cartoonists 'Oily' prints, they are just artists I admire. I am lucky to be friends with most of them so it was easy to contact them. Some have come to me but mainly they are just folks that I admire.
I will spend anything on the best sheets in the world because I am going to be in them every night. I like them white and crazy soft.
I have had this view of the optimization of the electrode design for a long time. Historically we went through various phases in the work and eventually worked on large sheets - very large sheets - of palladium.
A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.
Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.
As a filmmaker, you complete a film you have spent years obsessively making, and you know the release prints will never look quite the same; prints get scratched and dirty.
I make black and white prints because I want to go back to the beginning.
I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
As a receiver, you want to run through contact. That's the biggest coaching point that most coaches give them. You're going to get grabbed and you're going to get into adverse situations. But if you run through contact and do not confuse the quarterback, more than likely you're going to get the football.
If you think too-big-to-fail banks are not worthy of investment because of their impossible-to-read balance sheets, well then, don't buy them.
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