A Quote by Krishna Das
Chanting just hits you and you want to be a part of it. That’s the point of this whole thing. That’s what cuts through all the ‘stuff’. You get lit up. You don’t have to know what it means.
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Imagine two years worth of stuff that you've been holding on to and everything just keeps piling up to the point where the pot just overflows. You know what happens when a pot overflows? It hits the side of the pan and it hits the fire and the fire just explodes.
When a musical act performs, the black audience goes crazy for all the stuff, the album cuts, everything. White audiences, they're nice and all, but they're not going to lose it until they get the hits. Comedy is the same thing.
There's no dignity in hiding from an undignified story. You don't want to die the death of 1000 cuts. Just get the whole thing out... the entire thing, every detail, answer the questions and move on.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
It's not words, so much, just my mind going blank and thoughts reaching up up up, me wishing I could climb through the ceiling and over the stars until I can find God, really see God, and know once and for all that everything I've believed my whole life is true, and real. Or, not even everything. Not even half. Just the part about someone or something bigger than us who doesn't lose track. I want to believe the stories, that there really is someone who would search the whole mountainside just to find that one lost thing that he loves, and bring it home.
The difference we wanna make is number one to let these kids know that they’re not alone, that they’re actually not that messed up and that they can do whatever they want; they can express themselves however they want, without being persecuted or called a faggot or some kind of racist thing. You know, really just to get people to get over their stuff so they can live.
Know what the difference between hitting .250 and .300 is? It's 25 hits - 25 hits in 500 at-bats is 50 points. There's six months in a season, that's about 25 weeks. That means if you get just one extra flare a week - just one - you get a ground ball with eyes, you get a dying quail, just one more dying quail a week ... and you're in Yankee Stadium.
For sure, you don't believe the good stuff. I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.
I don't want to have to put on that "thing" - I call it "the thing" when I have to do my hair, put on the lashes, get dressed up. When I go out for potato chips, I just want to go out looking like myself, which means you will see bad pictures of me. There probably are some out there right now, but it's just part of the life.
We didn't just want to go out and do that whole greatest hits thing.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
When I was a kid I didn't know what I wanted to be when I grew up, but I did know what I didn't want to do. I didn't want to grow up, have 2.2 kids, get married, the whole white picket fence thing.
Aly and I went through just a long period of time where we just didn't feel creative musically. And, you know, we went through the whole writer's block thing, and we went through having two pretty successful records and figuring out how we want to transition as adults.
Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it down until it's a beautiful thing you can hand in.
You go to any Jay-Z concert, and he plays his hits. Comedians don't have hits. You have to have a whole brand-new hour. You have no hits to rely on. It's the hardest thing.
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
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