A Quote by Kristen Schaal
I used to go to open mics in New York when I was starting out, and it was mostly just people who wanted an audience to look at them for eight minutes on a stage.
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The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.
I told my team before we walked out on to the field in Tampa, I wanted them to stop and look each other in the eye - I mean really look each other in the eye because 10 minutes after we we're done beating the New York Giants, I knew that world would change; free agency, the business side of the business. I wanted them to appreciate this doesn't come very often. It may be the last time you have that opportunity.
I used to sing as a kid, but it was quite squeaky. I think I was about 19 or 20, and we used to go to these jam sessions and open mics. I just got the courage to sing one day. I don't think anyone expected it to sound like that.
I used to run away to New York from Baltimore all the time.I would get on the Greyhound bus and tell my parents I was going to some sorority weekend. I'd even make up fake permission slips, come to New York and just ask people on the street if I could stay with them and go see midnight movies.
I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.
Woody Allen was the reason I wanted to move to New York City and one of the reasons I wanted to make films. I felt that I understood his films, and I love them so much. When you're starting out, certainly, you have this sense of wanting to talk back to people who have influenced you, and I always wanted to talk back to Woody Allen.
The other states look to New York for the progressive direction. New York made a powerful statement [legalizing marriage equality], not just for the people of New York, but for people all across this nation.
Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
I don't feel I'm fighting to reach this huge audience; it just happens. I go on stage before the audience arrives and look out to this vast empty house. There's something therapeutic about taking in the ring where you'll perform.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
I used to live in New York, and I know a number of people who have friends who work at galleries. I spent time hanging out with them, going to openings. It was a good way to do research, to hang out and to look at the art that was present.
When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.
When I started, I was very deliberate about making friends with people like John Mulaney who were really funny and wanted to go up and do as many open mics as I did.
I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.
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