A Quote by Kumar Sanu
Mainstream Bollywood music has fallen into some sort of a rut where melody, which was very important 'till the '90s, is out of favor.
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I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
I have never doubted the importance of melody. I like melody very much, and I consider it the most important element in music, and I labour many years on the improvement of its quality in my compositions.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.
I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.
Mumbai was magical, which I was really surprised by, and I got an insight into the world of Bollywood while hanging out with some Bollywood film stars while there.
The only form of music is melody, without melody music is not feasible, and music and melody are quite inseparable.
I doubt I would have written a line ... unless some minor tragedy had sort of twisted my mind out of the normal rut.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
It is the melody which is the charm of music, and it is that which is most difficult to produce. The invention of a fine melody is a work of genius.
I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.
Earlier Bollywood was a fly-by kind of business which few wished to be involved in. Now Bollywood is good business and everybody wants to be associated with films. This is definitely a very significant change that I have seen in Bollywood.
I think that's what's important, to see how we ourselves can become all that we are and can be. Everybody says they want to change, but it's not that simple, it's not that easy. Who's ready to change and give up? Who's ready to get out of their rut and leave it behind, not just pour honey or syrup over their heads and over the rut? Who's ready to change and give up that rut, who's ready willing and able?
I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.
Melodies are very important in a song. Having a great melody and a great hook. That's what I would always come up with a great melody and that's important.
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