A Quote by Kurt Vonnegut

I don't know what's going on, and I'm probably not smart enough to understand if somebody was to explain it to me. All I know is we're being tested somehow, by somebody or some thing a whole lot smarter than us, and all I can do is be friendly and keep calm and try and have a nice time till it's over.
You really do learn by example... Especially women, sometimes we think somebody's going to rescue us, or somebody's going to teach us how to do it, when in fact we have to understand that the biggest resource we have is inside of ourselves. I know that I can count on me to take care of me. That's a very important thing to know.
The truth is, people don't know me. When people don't know you, they're going to try to get to know you as quickly as possible, because you're now taking the place of somebody that they love dearly, or somebody that they hate sincerely, and so they need to know who you are.
So when we come across somebody who does understand this and makes an effort to try and explain it to us, some people freak out and turn that person into either an object of worship or, some people freak out and want to kill that person. I think it's because they know what's true but they don't want to know, they don't want to face up to what that actually means. So they're going to kill the messenger and hope that by doing so they'll destroy the message so they can go back to living their ordinary life again.
I'm not the guy who will sit in a room with somebody who's using a bunch of big words and just act like I know what they're talking about, or sit on set with somebody and they'll be trying to explain something and not using layman's terms and I'll just say, "Hey, excuse me, what do you mean by that? Explain to me so I just understand."
For some reason, we can't just enjoy somebody else's success. Somehow, that's going to affect us. If they have more, then I have less - and I don't know why.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
The thing of being able to share somebody's reality, which has so far been a matter of what communication is about, you know. Now it has gotten a whole new leg. It has gotten a thing of being able to actually step in somebody's reality and walk through it like they do, experience it the way they do, specifically. The implications, to me, are immense. I mean, how far can it go? If you go into a complete, like a cyberspace model of some type, in which... you know the discussion about the mind and the interaction between the mind and the universe as a holographic phenomenon.
I know what I as an editor respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books - whether they be books of comics or books of literature - is a window into somebody's mind and their way of thinking. Somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality.
I was smart enough to know it would probably make me a salable item for the paparazzi. I knew I'd have to move to a home that had a gate. But that pearl of possibility that lives in your heart when you meet somebody you want to know more about has such a different molecular density than everything else that you have to pursue it.
I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.
I've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.
I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
Going into a game, I know that I'm going to run a lot. I know I'm going to have a lot of volume, and I know that I'm going to get hit a lot, which is great. Sometimes we try to deliver some blows, too, try to break as many tackles as possible. We know it's going to hurt the next day. That's why we love the game.
They pick me [to be tested for steroids] every time. I don't know why. I don't know if it's because I'm a big guy, or what, but all I know is all they are going to find is a lot of rice and beans.
Everybody expects the fairy tale - you're going to be together forever with somebody. I don't really subscribe to that. I'd love that to happen if that happened, but ten years is enough. Ten years is a good thing with somebody, I think. It's a nice thing. A lot of good love can happen in ten years.
Being nice doesn’t make you stupid. It makes you feel good because you know you are gracious enough to forgive and smart enough to realize how distasteful some people can be.
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