A Quote by Kyle Gass
It's not easy putting on a festival, there's a lot of moving parts.
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Acting is a trick word invented in the festival of Dionysus, before Christ, in Greece at a fertility festival. That's where theatre came from: a fertility festival. No women were allowed. All the men played all the parts.
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
It's a lot of stress being a manager - a lot of moving parts.
Well 'The Pod F. Tompkast,' as much as I love the result of it, was a really labor intensive show. There's a lot of writing, there's a lot of scheduling, there's a lot of recording - it's not a show that we can necessarily do in one day because there are so many moving parts to it.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
An economy is not a complicated thing; it just has a lot of moving parts.
Only in Texas can mesquite have its own festival, then there's a crawfish festival, a festival for strawberries, everything has its own festival, with each town having their own yearly thing.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
Polo is like playing golf with a saddle, and there are a lot of moving parts.
There is absolutely nothing better than gorging on delicious Rabdi and Jalebi during the festival of Holi, which only makes the festival a lot more special for me.
Some filmmakers are great at making complex things and films with a lot of moving parts, and I'm just not that way.
I made this Swedish movie called 'Snabba Cash,' or 'Easy Money,' and it was shown at the Berlin Film Festival. A lot of American studios, agents, and people like that saw it there and liked it.
Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably.
There's a lot of hyperventilation that takes off before the [Sundance Film] Festival, a lot of buzz. Every year we hear, this is going to be the new this, this is going to be the new that, and it never is. The buzz just doesn't mean anything. I'm glad it doesn't. Because I think the festival shows that what succeeds is content.
Moving to L.A., I got really into hip-hop and trap music and basically a lot of the sounds you would maybe normally see in a festival, but for whatever reason, I was so involved in vinyl and house at the time, I didn't even know that I liked trap.
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
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